<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-20959261</id><updated>2012-02-17T10:09:43.726-02:00</updated><category term='greve'/><category term='Greve do Magistério 2011'/><category term='ditadura'/><category term='poesia'/><category term='cinema'/><category term='desistência do educador.'/><category term='consciência política'/><category term='repressão'/><category term='magistério catarinense'/><category term='MILONGAS URBANAS'/><category term='monopólio da mídia'/><category term='Mito de Procusto'/><category term='Síndrome de Burnout'/><category term='arte-visual'/><category term='politicas públicas educacionais'/><title type='text'>Blog do Jéferson Dantas©</title><subtitle type='html'>Os textos postados são de livre cópia, desde que citadas as fontes.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default?start-index=101&amp;max-results=100'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>260</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-20959261.post-4906489952318423654</id><published>2012-02-17T10:09:00.000-02:00</published><updated>2012-02-17T10:09:43.730-02:00</updated><title type='text'>O COMPROMISSO COM A CRIANÇA QUE ME HABITA...</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;Possivelmente, alguns não entenderiam as últimas mudanças. E te exigiriam compromissos inadiáveis; e te&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;cobrariam pela ausência; e inventariam falsas histórias a teu respeito. Depois, começariam a enxovalhar tua&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;reputação; que deverias ser internado; que estarias enlouquecendo de forma irreversível; e seriam&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; font-size: large;"&gt;hipocritamente solidários ao te convidarem para lugares que sempre detestou. E nunca conseguiriam entender porque,apesar de tudo, ainda te alegravas com coisas irrelevantes, que não gerariam lucro, muito menos renome. E não sendo mais a matéria inerte e desastrada, terias vínculo com a vida; combatendo a barbárie e a rudeza de homens e mulheres tristes; e terias projetos, mesmo inacabados; e vingarias o menino trágico da infância.&lt;/span&gt;&lt;br style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif;" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-4906489952318423654?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/4906489952318423654/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=4906489952318423654&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4906489952318423654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4906489952318423654'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/02/o-compromisso-com-crianca-que-me-habita.html' title='O COMPROMISSO COM A CRIANÇA QUE ME HABITA...'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-1187968692724670398</id><published>2012-02-17T10:00:00.002-02:00</published><updated>2012-02-17T10:00:52.786-02:00</updated><title type='text'>VESTÍGIOS DA CIDADE</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;A cidade que se revela é o próprio desterro. A cidade é um conjunto de pedregulhos em sacos invernais de tempestade. A mesa com suas quatro patas de afiada lasca de mogno suporta um café requentado e uma dúzia de biscoitos com a validade vencida. O frio resseca a minha pele de lagarto e descamo como os peixes abissais...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Enquanto a ressaca invernal é submergida, fico com as imagens da mulher sonhada, carne suprema de forma-conteúdo amada. Seus olhos prófugos querem também o movimento centrípeto da entrega. E fico com a sua face congelada... futuro encontro pleno (?!).&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;E na cidade litorânea em chamas, chumbo e morte no coração das crianças... a cidade arde e se desespera... tropas armadas como nos tempos das fardas auriverdes...hoje, entretanto, clama-se por fuzis e metralhas a estourar cabeças vazias de jovens bandidos. O horror noticioso por câmeras nervosas... o tempo para na acidez da revolta. Vestígios do dia e largas vontades à espera de um sossego impossível. E toda a pressa e todo o afã galopam insolúveis na rigidez da caótica &lt;i&gt;urb&lt;/i&gt; de sol, montanhas e água marinha...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-1187968692724670398?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/1187968692724670398/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=1187968692724670398&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1187968692724670398'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1187968692724670398'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/02/vestigios-da-cidade.html' title='VESTÍGIOS DA CIDADE'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-5798727701524803971</id><published>2012-02-17T09:58:00.002-02:00</published><updated>2012-02-17T09:58:25.198-02:00</updated><title type='text'>SURPRESA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt; /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;A surpresa do espaço me aguardava. Nada dizia...retinas arrombadas... que foi feito de nós, ninfa-noite e escândalo de mil sóis? Eu só tinha o fardo do tempo como última linguagem... e mesmo assim, trazia nas mãos as asas fosforescentes da borboleta noturna. A minha primeira morte depois de tudo!&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-5798727701524803971?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/5798727701524803971/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=5798727701524803971&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5798727701524803971'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5798727701524803971'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/02/surpresa.html' title='SURPRESA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-7505021821039163368</id><published>2012-02-14T17:28:00.001-02:00</published><updated>2012-02-14T17:29:59.881-02:00</updated><title type='text'>RISCOS NO LABIRINTO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Toda dor é um tormento breve ou um interlúdio-signo. A carcaça que não atende ao impulso de Eros, encarcerado na masmorra do trabalho inglório.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;E tinha motivos de sobra para crer no apaixonamento repentino, como se fosse a dose mais certa para destruir pedrarias e rochedos do coração sem alegrias.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Descendente da tragédia, neste curso rotineiro não saberia onde se enterrar. Ir por aí entre casos e ocasos, contornando ruas e esquinas. Não entender mais nada... às vezes uma entrega por coisas sem valor... é o frenético moribundo a se queixar da sua pequenez e autoflagelo.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Quantas vezes tiveste medo destas esquinas por medo! Avistando Rilke às gargalhadas, desprezando tuas idiossincrasias vazias! Quantas vezes golpeado em tua intimidade por pura inércia e falta de vontade! Nas horas malditas te consomes sem nenhum perdão. Há de ser assim, como quem não vislumbra mais nada.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Terás fogo e energia para te consumir nas labaredas do estranhamento e do risco inédito? &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-7505021821039163368?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/7505021821039163368/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=7505021821039163368&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7505021821039163368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7505021821039163368'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/02/riscos-no-labirinto.html' title='RISCOS NO LABIRINTO'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-2042157362106810621</id><published>2012-02-14T00:33:00.002-02:00</published><updated>2012-02-14T00:33:21.645-02:00</updated><title type='text'>MEMÓRIAS ENGAVETADAS</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:DoNotShowRevisions/&gt;   &lt;w:DoNotPrintRevisions/&gt;   &lt;w:DoNotShowMarkup/&gt;   &lt;w:DoNotShowComments/&gt;   &lt;w:DoNotShowInsertionsAndDeletions/&gt;   &lt;w:DoNotShowPropertyChanges/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"  DefSemiHidden="true" DefQFormat="false" DefPriority="99"  LatentStyleCount="267"&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Revirando gavetas encontro cartas e fotografias antigas. Peregrinação de memórias. E num estado de interessante embriaguez, sou capaz de encontrar minhas outras vidas num instante. São sonhos de navalha! São as quedas sublimes! É o entressono permanente, como se vivesse dopado... Algures uma caixa imensa de papelão: mais cartas e recortes de jornal. Fitinhas do Senhor do Bonfim intactas depois de anos e anos. Até mesmo um chaveirinho ordinário e oxidado no fundo da caixa.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Retornei à rotina de escritas e leituras. Demorava-me diante de um e-mail e sequer conseguia responder qualquer coisa com o mínimo de coerência. Tudo exigia um esforço descomunal. O vento sacudia as janelas. Parecia que tudo viraria uma explosão de vidros cortantes.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Terminei de ler um poema e pensei logo em música. Depois, abandonei o projeto da hora. E quando finalmente decidi responder os demais e-mails, eis que o dia se findara sem graça. E o bilhete deixado na mesa dizia da ausência e do desconforto. O bilhete de um mês a decorar a mesa e migalhas de pão. Eu nunca respondi. Deixei que os dias se passassem para que a dor cicatrizasse. E, quem sabe anestesiado, pudesse, enfim, recobrar-me de todo o estrago.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-2042157362106810621?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/2042157362106810621/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=2042157362106810621&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2042157362106810621'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2042157362106810621'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/02/memorias-engavetadas.html' title='MEMÓRIAS ENGAVETADAS'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-6522129268961518322</id><published>2012-02-14T00:21:00.004-02:00</published><updated>2012-02-14T00:31:25.335-02:00</updated><title type='text'>ARQUÉTIPOS</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Tudo se reduzira a uma aparência absurda! Imediatas morfinas que nos escondem muito! O arquétipo ibérico circulando entre nós como ogivas nucleares. Desejamos uma coisa e fazemos outra; impregnados de uma ética que nos esmaga. A arte já não sacia. Só há saberes de cicatrizes na pele dos cordeiros-ordeiros...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Haverá limites para este descaso? Haverá limites ao exagero da imundície? Quem elaborará a ode ao criador infinito? &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-6522129268961518322?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/6522129268961518322/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=6522129268961518322&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6522129268961518322'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6522129268961518322'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/02/arquetipos.html' title='ARQUÉTIPOS'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-1667987728072258455</id><published>2012-01-26T23:13:00.000-02:00</published><updated>2012-01-26T23:13:21.809-02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MILONGAS URBANAS'/><title type='text'>MARCHA  ESTRADEIRA, POR JÉFERSON DANTAS E JÚNIOR GUERRA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://3.gvt0.com/vi/F4609xXJkrM/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/F4609xXJkrM&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/F4609xXJkrM&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-1667987728072258455?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/1667987728072258455/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=1667987728072258455&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1667987728072258455'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1667987728072258455'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/01/marcha-estradeira-por-jeferson-dantas-e.html' title='MARCHA  ESTRADEIRA, POR JÉFERSON DANTAS E JÚNIOR GUERRA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-7096296680078104452</id><published>2012-01-20T12:46:00.001-02:00</published><updated>2012-01-20T12:47:25.308-02:00</updated><title type='text'>QUANDO OS BONS SILENCIAM</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;O ‘silêncio dos bons’ incomoda muito mais que a algaravia dos/as que espalham o mau gosto, a insensatez e produtos massificados beirando ao grotesco. Refiro-me a vários aspectos, mas notadamente ao bombardeio sistemático e diário das pautas apresentadas por parcela significativa do mundo midiático. Programas de baixo conteúdo educativo; edições protocolares e pragmáticas de telejornais – que se assemelham à ficção –, além da exposição &lt;i&gt;ad nauseam &lt;/i&gt;de pseudo-celebridades. A idiotia ganhou estranhos e preocupantes contornos de ‘naturalização social’; tudo se compartilha, principalmente a miséria de uma civilização cada dia mais inculta e bárbara.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;Aliás, a infotoxicação tem por objetivo, justamente, submeter a todos a um processo ainda mais devastador de alienação. Os conhecimentos produzidos pela humanidade sequer são socializados e muito menos apreendidos, internalizados. Enfoca-se, sobretudo, o burlesco, o bufônico. Rimos de nossa própria miséria. A compulsão narcísica e a necessidade permanente do espetáculo revelam, em boa medida, o afastamento de temas sociais decisivos que carecem de discussões urgentes, tais como: acesso à saúde e à educação pública com elevada qualidade de atendimento; segurança pública ampla respaldada por organizações comunitárias; combate à corrupção endêmica em todos os setores da vida pública, etc.. O amoldamento social é a certeza da apatia coletiva generalizada, que beneficia as elites econômicas e políticas, protegidas dos ‘abalos sísmicos’ da classe trabalhadora expropriada, esta última muito mais vulnerável, porém revolucionariamente prenhe.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;A intelectualidade militante também está confinada aos espaços assépticos das universidades; porque de alguma maneira estão todos emparedados diante da burocracia sufocante, imerso na produtividade positivista acachapante. O silêncio dos bons preocupa muito mais que a ensurdecedora matraca polifônica da ignorância trivial, célere e inconsequente. Enquanto os ‘bons’ hibernam, decisões estratégicas são tomadas a todo instante. Alimenta-se, assim, toda a ordem de tiranias miúdas e graúdas, que a curto e médio prazo, serão os patronos do autoritarismo e autores da primazia da força sobre a liberdade de expressão.&lt;/span&gt;&lt;/div&gt;&lt;div dir="rtl" style="text-align: right;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-7096296680078104452?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/7096296680078104452/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=7096296680078104452&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7096296680078104452'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7096296680078104452'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/01/quando-os-bons-silenciam.html' title='QUANDO OS BONS SILENCIAM'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-6709536881767680315</id><published>2012-01-17T13:55:00.000-02:00</published><updated>2012-01-17T13:55:32.307-02:00</updated><title type='text'>A NATURALIZAÇÃO DA PRIVATIZAÇÃO DO PÚBLICO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div dir="rtl" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: right;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: large;"&gt;Por Fábio Machado Pinto - UFSC &lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div dir="rtl" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: right;"&gt;&lt;span style="font-size: large;"&gt;Jéferson Dantas - UFSC&lt;/span&gt;&lt;/div&gt;&lt;div dir="rtl" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Não podemos chamar de espanto ou surpresa o que foi publicado no dia 13 de janeiro no jornal Noticias do Dia sobre os encaminhamentos pertinentes ao fechamento da escola estadual Lúcia do Livramento Mayvorne e as questões que envolvem a sua nova direção/coordenação, agora a cargo da congregação marista. Trata-se da mais manifesta privatização de um espaço educativo público em Santa Catarina. A atuação dos Irmãos Maristas no Brasil, contudo, é antiga; são donos de um importante parque gráfico e responsáveis pela editora FTD, conhecida por suas publicações didáticas.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Nos dias 19 e 20 de dezembro de 2011 confirmou-se o que os/as professores/as da escola Lúcia do Livramento Mayvorme temiam desde o começo daquele mês quando foram interpelados pelo setor de Recursos Humanos da Secretaria Estadual de Educação (SED), que lhes aconselhou a escolherem uma nova escola para uma possível remoção. Durante o mês de dezembro do ano passado os professores percorreram todas as instâncias possíveis e solicitaram diversas reuniões e audiências públicas para obter esclarecimentos. Os responsáveis pelos projetos sociais dos Irmãos Maristas na comunidade do Mont Serrat diziam nada saber e não participaram das três reuniões realizadas pelos professores na escola Lúcia Mayvorne. Concomitantemente, os professores da escola eram recebidos pela SED, onde se dizia que não existia projeto algum de transferência de responsabilidade, ou ainda que nada havia sido decidido.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&amp;nbsp;Como sempre ocorre em tais situações, segundo a cultura política brasileira, no apagar das luzes de 2011, a SED decretou o fechamento da unidade de ensino. Nos corredores assépticos da Secretaria de Educação os professores ainda tentaram desferir os últimos brados, após um ano difícil e doloroso de enfrentamentos que culminou com uma das mais importantes greves do magistério catarinense. Não havia nada a ser discutido, pois segundo o secretário de Educação repassar a escola para os Irmãos Maristas era uma decisão/desresponsabilização do seu governo. Nesta fatídica reunião, o fleumático secretário iniciou a sua exposição comentando que o projeto era recente e que foi a SED que procurou os irmãos Maristas. Por isso, não houve tempo hábil para que os professores fossem informados; além disso, tendo como pretexto o baixo número de matrículas, relatou que a tendência ‘natural’ era o fechamento da escola, mas que o projeto dos Maristas era uma boa solução. E mais: que os professores já haviam assinado sua remoção e estavam contentes (?!).&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Uma representação jurídica da congregação marista apresentou o projeto pedagógico e justificou que não se tratava de privatização, pois eles iriam utilizar apenas as instalações físicas e materiais pedagógicos até que o contrato fosse encerrado, quando tudo voltaria a ser do Estado; relatou também que a escola seria laica, prestaria ensino religioso como qualquer outra, até por uma exigência da Lei de Diretrizes e Bases da Educação, mas que nenhuma taxa seria cobrada. Sobre o uso da escola nos finais de semana e no contraturno, discorreu que a escola seria aberta e que evidentemente haveria um controle de seu uso.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: large;"&gt;&lt;br /&gt;Em nossa análise, o Estado precarizou ao máximo as condições de trabalho destes professores, para depois justificar a ‘pouca qualidade’ pedagógica da escola e transferir todas as responsabilidades para o terceiro setor. Santa Catarina, na esteira do governo federal, tem uma política clara de municipalização das escolas de ensino fundamental, deixando ao encargo do estado apenas o ensino médio. Isso tudo é contestável. O que não é aceitável é a configuração desrespeitosa e autoritária pelas quais os professores são tratados pela classe política, apoiada decisivamente pelo terceiro setor, que cresce assustadoramente em nosso país como uma força paralela ao Estado e com as mais diversas formas de atuação.&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-6709536881767680315?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/6709536881767680315/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=6709536881767680315&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6709536881767680315'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6709536881767680315'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/01/naturalizacao-da-privatizacao-do.html' title='A NATURALIZAÇÃO DA PRIVATIZAÇÃO DO PÚBLICO'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-1323452986221766411</id><published>2012-01-14T23:27:00.000-02:00</published><updated>2012-01-14T23:27:58.770-02:00</updated><title type='text'>CLICHÊ MESSIÂNICO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: large;"&gt;Juess estava cansado daquela vidinha monótona do éden. Todos eram muito chatos, ‘politicamente corretos’, pragmáticos. Travava inútil peleja com o Padre Eterno. Queria retornar à Terra. O Padre Eterno rejeitava a ideia, colocando-o de castigo com Cadelena. Era um bom castigo. Cadelena era uma mulher bonita, de seios fartos, embora residisse no purgatório. Padre Eterno tinha a certeza de que Juess cometeria o Pecado Original e, posteriormente, o auto-flagelo, fazendo-o esquecer do pedido.&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Juess, porém, apostou na tecnologia. Através de complexas parafernálias eletrônicas, conseguiu enviar um e-mail para o Inferno. Os anjos de Lux ficaram meio receosos, mas foram camaradas com Juess e lhe responderam a mensagem. Relataram-lhe que o ajudariam a burlar a vigilância do Padre Eterno e o enviariam à Terra, mais precisamente, ao Brasil. Segundo os anjos de Lux, Padre Eterno é brasileiro, e isto o ajudaria muito.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;No dia da viagem, despediu-se de Cadelena. Ela chorou muito, pois receava que Juess se apaixonasse por uma carioca. Além do mais, chegaria bem na época do Carnaval. Juess sorriu. Ficou contente em saber que Cadelena sentiria saudades dele. Beijaram-se. À noite, os anjos infernais, travestidos de anjinhos rechonchudos e de bochechas róseas, enganaram o Guardião do Portal do éden e contactaram Juess. Colocaram-no num saco acetinado, repleto de purpurina. Atravessaram o Portal e lançaram o saco acetinado no triângulo interdimensional. Juess estava em terras brasileiras.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Durante quatro dias, Juess se refestelou no carnaval do Rio. Cadelena que o perdoasse, mas as mulheres brasileiras eram deliciosas. E, depois, Cadelena já estava um pouco passada. Depois da folia, resolveu revelar aos homens de boa vontade que estava de volta à Terra. Procurou as praças públicas para levar sua palavra ao povo. Zombaram de sua pregação. Resolveu encontrar outros meios para atingir a população. &lt;br /&gt;Procurou emprego para não dar na vista. Descobriu que estava muito difícil encontrar emprego no Brasil. Foi até Brasília falar com o presidente, mas o Chefe de Estado estava na França, discursando num francês irretocável. Participou de uma sessão na Câmara dos Deputados e chorou muito. Além do mais, o clima de Brasília era péssimo.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Conseguiu emprego de marceneiro. Conhecia bem o ofício. Percebeu que era necessário ter documentos para votar, para trabalhar com carteira assinada, etc. e etc.. Contou com o apoio dos anjos do Inferno, que subornaram repartições públicas e obtiveram todos os documentos necessários para a sua estadia no Brasil. Tudo que os anjos do Mal conseguiam para Juess era anotado numa caderneta ultra-lux, no intuito de chantageá-lo quando Juess retornasse ao éden.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Três meses se passaram. Padre Eterno despediu o Guardião do Portal. Mandou Cadelena para o Inferno. Enquanto isso, Juess participava de programas de auditório, transformando água em vinho. A plateia aplaudia, fervorosamente, sob os olhos atentos dos apresentadores bonachões. A multiplicação dos pães e dos peixes foi mais difícil. Um mágico porto-riquenho o desafiou, prometendo desvendar seus truques na televisão nos domingos à noite. Juess resolveu, então, curar paralíticos. Funcionou com dois voluntários, mas logo se formaram filas quilométricas diante de sua humilde residência alugada. Teve de se mudar, sempre com o pronto apoio dos anjos coisa-ruim.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Os anjos-traquina sugeriram à Juess que desistisse de salvar os brasileiros. Juess comprou livros de auto-ajuda, mas nada curava a sua depressão aguda. Pensou nas noites de amor com Cadelena, dos concertos no éden, das conversinhas intelectualóides dos novos moradores do Paraíso, enfim, passou a sentir saudades de casa. Viajou por todas as regiões do Brasil. No Nordeste carregou no colo uma criança semimorta, afetada pelas mais diversas doenças, em busca de água no sertão. Com a criança já falecida em seus braços, ouviu da mãe da criança um agradecimento: “Que Padre Eterno te ilumine, meu filho!” Juess não sabia se chorava ou se praguejava. Na mesma semana, o presidente da res publica, fez uma visita àquela região e, no ponto mais alto de seu discurso, inflamou-se e disse: “O futuro do Nordeste pertence à Padre Eterno!” Juess avançou com fúria em direção ao palanque, mas foi espancado pelos seguranças até desfalecer.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Juess ingressou no STM. Participou dos saques no Nordeste e teve encontros com lideranças de esquerda. Foi indicado para ser deputado federal. Juess já era bem popular, ainda mais quando resolveu participar de programas &lt;i&gt;reality show &lt;/i&gt;para angariar simpatias da classe média falida e deslumbrada. No entanto, certa noite, uma caravana celestial levou Juess de volta para o reino dos céus. Os anjos do Inferno já bolavam a chantagem que acabaria com Padre Eterno, mas como eram apenas três anjos coisa-ruim, foi fácil para a Polícia edênica desaparecer com os três. No Inferno, Lux-Mor pediu esclarecimentos sobre o desaparecimento de seus ajudantes, mas o processo foi arquivado por falta de provas.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: large;"&gt;Juess voltou à sua rotina. O castigo fora enorme. Padre Eterno consentiu a aproximação de Juess com uma nova inquilina do Paraíso, pelo menos não se envolveria mais com Cadelena, uma mulher de ‘passado ultrajante’. Juess foi para os seus aposentos com a certeza de que Padre Eterno nunca fora brasileiro. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-1323452986221766411?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/1323452986221766411/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=1323452986221766411&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1323452986221766411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1323452986221766411'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/01/cliche-messianico.html' title='CLICHÊ MESSIÂNICO'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-5696715004882592453</id><published>2012-01-09T15:04:00.002-02:00</published><updated>2012-01-09T15:06:08.853-02:00</updated><title type='text'>Como se criam os tiranos.</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;span style="font-size: large;"&gt;O que vou relatar não é novidade, mas nos ensina sempre um pouco mais. Moro num pequeno condomínio, onde as pessoas, via de regra, são sociáveis, bem educadas e com instrução acima da média. Todavia, como em qualquer coletividade, existem os/as que se arvoram o direito de determinar o que deve e o que não deve ser feito. Partem de uma cultura própria, possivelmente compartilhada com pessoas que pensam da mesma maneira ou que se submeteram aos seus caprichos ao longo da vida. Pois bem, estas pessoas podem se tornar um verdadeiro inferno em sua existência! Reclamam de tudo, não querem fazer rateio, contentam-se com a política da miserabilidade e, se possível, viveriam de forma franciscana em meio aos ratos e às baratas. Contudo, não contentes com a sua superioridade de botequim, procuram desqualificar os/as jovens, as mulheres, os/as que estudaram mais e os que procuram viver de forma mais diplomática possível. Pois bem, com estas pessoas não se brinca! Elas estão sempre dispostas a desestabilizarem quem quer que seja! Logo, são contumazes tiranos de plantão!&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;O/a tirano/a está em qualquer parte. Não nos enganemos. E ele deve ser destruído no nascedouro. Além de não contribuírem com nada, são responsáveis pela desertificação do pensamento livre; são responsáveis pela aridez das relações interpessoais. Um/a tirano/a é um infeliz incapaz de amar alguém. Caracterizam-se como seres mesquinhos, autistas e inconvenientes. Talvez nem valessem tantas linhas, se não causassem tantos estragos nos microuniversos. Desse modo, aprenda de uma vez por todas a identificar os/as tiranos/as e, se possível, suma com eles bem depressa!&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-5696715004882592453?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/5696715004882592453/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=5696715004882592453&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5696715004882592453'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5696715004882592453'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/01/como-se-criam-os-tiranos.html' title='Como se criam os tiranos.'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-6056710030600927043</id><published>2012-01-09T14:45:00.003-02:00</published><updated>2012-01-09T15:07:52.990-02:00</updated><title type='text'>A síndrome de avestruz</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Em recente entrevista, o ex-secretário da Fazenda do governo Raimundo Colombo, Ubiratan Rezende, numa incomum demonstração de lucidez, realizou uma avaliação contundente do universo político catarinense, principalmente no que se refere às disputas empedernidas pelo poder e a ausência do compromisso com o público. O ex-secretário compara Florianópolis à Brasília, um território dependente economicamente e afeito ao arrivismo e ao jogo de intrigas, o que invariavelmente acaba por atingir trabalhadores estatais competentes e descolados do clientelismo ou do favoritismo.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Ampliando o debate, temos nos últimos anos em Santa Catarina e em quase toda a esfera federal polarizações partidárias e programas de governo extremamente pragmáticos, além de alianças espúrias entre siglas que até então se digladiavam. As ideologias para os defensores do arrivismo político há muito estão nas latas de lixo da História. E o que isto significa? Ausência de ética e de pudores no momento de negociar cargos políticos e beneficiar cabos eleitorais. Sobretudo, a certeza de que quando os/as cidadãos/ãs cumprem os limites democráticos do ‘ato de votar’ não têm qualquer domínio sobre quem serão os ministros e secretários de Estado, o que equivale a uma ‘fé cega’, mormente decepcionante. No que tange aos governos regionais, secretários de Estado ficam mais tempo costurando alianças políticas e projetando os seus nomes à custa de uma superexposição do que, propriamente, trabalhando em benefício da população. &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;A síndrome de avestruz, apontada por Rezende em relação às secretarias de Estado, denotam o quanto a ingerência pública é grave e onerosa para a população catarinense. O mal-estar generalizado em relação a esta democracia representativa talvez tenha atingido o seu limite, e tal esgotamento precisa ir além do voto obrigatório. Onde não existe diálogo e outras formas de se pensar o estado e o país que queremos, temos o autoritarismo civil subserviente ao mercado e, então, a ‘democracia’ se torna um engodo. E este alerta partiu das próprias hostes governistas em época de pleito eleitoral. &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-6056710030600927043?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/6056710030600927043/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=6056710030600927043&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6056710030600927043'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6056710030600927043'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/01/sindrome-de-avestruz.html' title='A síndrome de avestruz'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-3107259899586435774</id><published>2012-01-04T16:08:00.001-02:00</published><updated>2012-01-04T16:08:46.189-02:00</updated><title type='text'>A JUVENTUDE TEM PRESSA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: large;"&gt;Os movimentos de rua protagonizados por jovens em larga escala no território europeu e também em solo americano possuem raízes materiais (desemprego, ausência de escolaridade e moradia, etc.), e não se tratam apenas de indícios motivados pelas ‘redes sociais’ (os denominados &lt;i&gt;flashes &lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;mobs&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: large;"&gt;), como alguns analistas mal intencionados tentaram justificar no início de tais manifestações. Quando imigrantes franceses iniciaram uma série de protestos em 2005 contra a falta de emprego, assistência médica e vagas nas escolas, a síntese midiática, num primeiro momento, reduziu tudo a um ‘bando de baderneiros’, ‘desocupados’ e ‘marginais’, como se os problemas sociais agravados pela imigração ilegal não estivessem inextricavelmente associados a décadas de exploração do imperialismo francês em território africano, notadamente. Logicamente, a força de trabalho destes jovens imigrantes era fundamental para a acumulação do capital e não podia ser facilmente descartada, principalmente no subemprego ou em ocupações de elevada insalubridade.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: large;"&gt;Para o historiador de origem egípcia, Eric Hobsbawm, é importante se considerar ainda outros fatores no que tange aos movimentos praticados pela juventude. Durante a década de 1960 a Europa presenciou uma sensível explosão demográfica em suas universidades, deixando de ser um privilégio para uns bem pouco afortunados. Em consequência, esta nova geração de jovens universitários, pouco afeitos à autoridade e pauperizados, inclinou-se para os partidos e movimentos de esquerda, contrários à guerra do Vietnã e ao imperialismo estadunidense. Segundo Hobsbawm, genericamente, as insatisfações da juventude na década de 1960 “não eram amortecidas pela consciência de terem vivido épocas de impressionante progresso, muito melhores do que seus pais algum dia esperaram ver. [...]. o ímpeto para o novo radicalismo vinha de grupos não afetados pela insatisfação econômica, tendo como efeitos imediatos a rebelião estudantil europeia e uma onda de greves operárias por melhores salários e melhores condições de trabalho”.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: large;"&gt;Cinco décadas depois a massa juvenil hodierna é muito mais desconfiada em relação aos ganhos democráticos e sociais por intermédio de partidos políticos de esquerda. Aliás, o recrudescimento das organizações partidárias de extrema-direita tem revelado a incapacidade das esquerdas em estabelecerem um projeto efetivamente satisfatório para as classes trabalhadoras. O acesso à informação também mudou e os jovens não são mais reféns de uns poucos meios de comunicação. Por outro lado, os aspectos dinâmicos dos movimentos organizados pela juventude possuem difusa consciência histórica. Se tais manifestações ainda são insuficientes para abalar o &lt;i&gt;establishment, &lt;/i&gt;devidamente coordenadas podem se estruturar numa força social consistente, reunidas não apenas em função de protestos pontuais, mas em relação a todos os instrumentos ideológicos sob a posse das classes dirigentes. A juventude clama por mudanças... a juventude tem pressa!&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-3107259899586435774?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/3107259899586435774/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=3107259899586435774&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3107259899586435774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3107259899586435774'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2012/01/juventude-tem-pressa.html' title='A JUVENTUDE TEM PRESSA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-4851368394255812268</id><published>2011-12-12T02:40:00.004-02:00</published><updated>2011-12-12T02:41:51.222-02:00</updated><title type='text'>EXISTIR, POR JÉFERSON DANTAS E JÚNIOR GUERRA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://2.gvt0.com/vi/NSeWuNZ3TlI/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/NSeWuNZ3TlI&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/NSeWuNZ3TlI&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-4851368394255812268?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/4851368394255812268/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=4851368394255812268&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4851368394255812268'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4851368394255812268'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/12/existir-por-jeferson-dantas-e-junior.html' title='EXISTIR, POR JÉFERSON DANTAS E JÚNIOR GUERRA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-5277896203913193597</id><published>2011-12-06T00:56:00.002-02:00</published><updated>2011-12-06T00:58:50.913-02:00</updated><title type='text'>SOBRE AS CULPAS</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;a impossibilidade é o eixo de toda rota. e a fúria não veio; e&amp;nbsp; o&amp;nbsp; infundado apaixonamento só serviu para atenuar ânimos já&amp;nbsp; arrefecidos. e as viagens que não fiz continuam nos meus&amp;nbsp; turvos pensamentos.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;a embriaguez serviu para isso! um ânimo mais pluma, ocultando toneladas de culpas e martírios. e, num descontrole, aço e vidros em cacos abriram filetes&amp;nbsp; de sangue pelo meu rosto. acuado como forasteiro, nem sinfonias abrandavam o espírito indolente! e, reconhecendo tal abismo, mesmo assim, não podia escutar tua voz do fundo do poço; e minha poesia era menor do que supunha; e tive asco do teu&amp;nbsp; corpo... e tive asco de meu corpo!&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;Todas as quedas são invariavelmente necessárias; não há júbilo nisso que te acossa! temer e seguir em frente, este era o aprendizado perene! nenhuma derrota foi suficientemente duradoura e vexaminosa para te fazer desistir dos planos bem preparados no calor do ímpeto!&amp;nbsp; e se tinhas essa inquietude em falso; e se tinhas esse embalo adocicado das noites primaveris; e se tinhas amor para oferecer, quem poderia lhe culpar por amar demais? e, se em algum momento, a descrença no amor foi a incapacidade de conviver, ninguém poderia lhe condenar por isso! não é possível amar na clausura dos matrimônios formais! não é possível repetir palavras apaixonadas quando a alma está incerta e busca uma serenidade ainda encoberta.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;por fim, ao dizer palavras miúdas e céleres esbofeteadas, tudo se reduzira à pequenez de compreender o todo. se isso foi importante para despertar nossa cambaleante união, não considerei isso ofensa grave. já tinha esses pressentimentos noturnos; e isso foi crescendo de tal forma, que ganhou a dimensão do caos. e o que era aparente retornou como essência-mor; afinal, tudo que é aparente esconde deficiências internas, inseguranças e aceitação externa! e, novamente, com todos esses elementos à mão, pude retomar o esteio da existência. sendo solitário, não tive pena da pequena vítima que agonizava em centenas de flocos dentro de mim... &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-5277896203913193597?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/5277896203913193597/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=5277896203913193597&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5277896203913193597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5277896203913193597'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/12/sobre-as-culpas.html' title='SOBRE AS CULPAS'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-2189252874443127802</id><published>2011-11-11T09:41:00.002-02:00</published><updated>2011-11-11T09:41:36.216-02:00</updated><title type='text'>vira-latas</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults v:ext="edit" spidmax="1026"/&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout v:ext="edit"&gt;   &lt;o:idmap v:ext="edit" data="1"/&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Antes, nossas bocas despertavam muito antes da aurora e os nossos corpos se impregnavam de sinfonias angélicas sob as peles incandescentes. E olhávamos para o empíreo e tínhamos certeza de que o catarro da discórdia dava vazão para um firmamento verde-esmeralda... e esse era o pulmão do mundo imaginado... uma transcendência límpida que ardia nossos olhos e lacrimejávamos como se estivéssemos na dimensão infante dos primeiros desejos.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Tudo se desmanchava diante dos horários fixos de raros prazeres. O despertar do transe era de uma violência singular. Ficávamos grudados e não queríamos sair do leito. Os exploradores só existem para nos deixar com essa cara de vira-latas abatidos...&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-2189252874443127802?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/2189252874443127802/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=2189252874443127802&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2189252874443127802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2189252874443127802'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/11/vira-latas.html' title='vira-latas'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-1312373854728990252</id><published>2011-11-11T09:39:00.002-02:00</published><updated>2011-11-11T09:39:24.264-02:00</updated><title type='text'>esquecimento</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt; /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;O esquecimento é pior do que a morte. No fundo de nossa ruína este foi o elevado preço do mergulho de nossas vozes. Se éramos inquietos e voadores; se éramos jovens e festivos; se éramos plenos e mordazes, isso foi se extinguindo. O esquecimento é a última etapa de um auto-abandono. Aos poucos tudo é terra arrasada.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-1312373854728990252?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/1312373854728990252/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=1312373854728990252&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1312373854728990252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1312373854728990252'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/11/esquecimento.html' title='esquecimento'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-6604908837024849841</id><published>2011-11-11T09:37:00.002-02:00</published><updated>2011-11-11T09:37:15.830-02:00</updated><title type='text'>palimpsestos [1]</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Já não falam. Gritam! Precisam ser alucinadamente ouvidos; precisam se certificar de que serão escutados. A conversa pobre, gírias padronizadas e todos os estereótipos possíveis. E, assim como asnos, viajam no autobus-náufrago com a lentidão de ‘orelhas chuvosas’. O autobus agora é densa veia de cinza e sangue coagulado! Aquela juventude-esmeralda e os cabelos multicores em névoa me parecem fantasmas desplugados e literalmente desgovernados.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;A jovem nua que respira o ar fresco e ascende entre a miséria homogênea de menininhas sem ardor traz as mãos crispadas sobre um punhal de aves sem nome...E sua dor angelical é imensa como o deus-silêncio de Spinoza. E ela trepa veloz sobre o meu falo-fogo e mija quente em minhas pernas...e desgovernados seguimos na marcha onírica.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-6604908837024849841?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/6604908837024849841/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=6604908837024849841&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6604908837024849841'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6604908837024849841'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/11/palimpsestos-1.html' title='palimpsestos [1]'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-7094776904159422254</id><published>2011-11-11T00:21:00.000-02:00</published><updated>2011-11-11T00:21:41.975-02:00</updated><title type='text'>pampa</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;a pampa dos versos e das milongas invernais&lt;br /&gt;não é por certo&lt;br /&gt;a deletéria paisagem vil&lt;br /&gt;da infância rude&lt;br /&gt;&lt;br /&gt;a pampa invade a&lt;br /&gt;alma residente&lt;br /&gt;em ilha de degredados&lt;br /&gt;&lt;br /&gt;o sonho presente&lt;br /&gt;de um tempo desnecessário&lt;br /&gt;e eu não tinha mais&lt;br /&gt;a compostura dos néscios!&lt;br /&gt;&lt;br /&gt;esta fronteira insiste&lt;br /&gt;em traduzir a pampa da lucidez&lt;br /&gt;o campo aberto&lt;br /&gt;e noites encordoadas na cordeona&lt;br /&gt;andaluz!&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-7094776904159422254?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/7094776904159422254/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=7094776904159422254&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7094776904159422254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7094776904159422254'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/11/pampa.html' title='pampa'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-2991654160833655312</id><published>2011-11-11T00:13:00.000-02:00</published><updated>2011-11-11T00:13:08.843-02:00</updated><title type='text'>a visitante</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;longo trajeto que lembrava corredores de hospitais, enfim, revelava a porta do meu apartamento. passos apressados atrás de mim e, de repente, um cheiro aziago de alguma bebida alcoólica misturada com cigarro barato mentolado expressaram palavras intraduzíveis da boca feminil.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;chorava e gritava desesperada e compreendi que deveria convidá-la para entrar. sentou-se no sofá da sala com o corpo num ângulo de quarenta e cinco graus. preparei um café forte e quando retornei para sala, já adormecia. só então pude percebê-la. os olhos graúdos, de íris muito escura. pernas torneadas e seios ocultados por uma mini-blusa. os cabelos encaracolados e o rosto em fantasia, pois que a maquiagem fora desfeita pelas lágrimas. e sem contrato com o tempo, retirei suas botas e sua saia sem qualquer reação, já que embriagada, apenas resmungava expressões ininteligíveis. por fim, também adormeci. quando acordei, já não estava no sofá. senti que havia perdido algo importante; como se o ‘ato de cuidar’ fosse algo tão pouco presente em minha existência. recolhi as xícaras e o bule de café. enfiei tudo na pia, que há muito não via água sobre aquela louça acumulada.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;já era tarde. momento em que a madrugada fica estranhamente silenciosa e mesmo o coração se aquieta... nebuloso e resignado! ao chegar ao &lt;br /&gt;quarto lá estava ela. deitada sobre o colchão amarelo;&amp;nbsp; comprimiu seu corpo ao meu e pude vislumbrar os mamilos muito róseos; e tinha um sorriso danado que desmontava a sisudez do quarto de paredes descascadas.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;a noite se prolongara e nada sabia daquela mulher; e nada queria saber de sua vida. e eu a tomei com tamanha fúria, que passei a desejá-la cada vez mais, sem saber sequer o seu nome. e já me esperava desavergonhadamente na entrada do prédio. e ia tirando a roupa, apalpando-me com suas ágeis mãos e dedos muito delicados. e sua língua brincava no meu corpo até à exaustão.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;quando sumiu para sempre, não sofri.&amp;nbsp; sua intimidade no guarda-roupa eram as certezas de sua repentina aparição; nunca reconheceria sua grafia ou sonhos; jamais saberia redesenhá-la ou compreender o que passara conosco naqueles dias de trancafio, onde a fome, a sede e a serenidade eram as únicas leis!&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt; E me agarrei ao regozijo passado, como lasca fincada n’alma!&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-2991654160833655312?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/2991654160833655312/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=2991654160833655312&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2991654160833655312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2991654160833655312'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/11/visitante.html' title='a visitante'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-2721886781874687984</id><published>2011-11-10T23:54:00.001-02:00</published><updated>2011-11-15T14:58:41.403-02:00</updated><title type='text'>sobre manias</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;e me acostumara com a chuva e o frio. Uma estranha mania passou a consumir meus dias; com o pretexto de alugar imóveis no centro da cidade, ficava horas visitando apartamentos antigos, como se pudesse apreender os cheiros ali depositados; demorava-me nos quartos, na sala-de-estar, na cozinha, no banheiro, nas sacadas...observava cada detalhe: hieróglifos nas paredes descascadas, instalação elétrica precária, o formato e aderência dos pisos.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;detinha-me nos rastros deixados por antigos moradores: um bilhete esquecido no criado-mudo; um livro esquecido com várias páginas dobradas; o néctar das palavras escondidas...leituras interrompidas...&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;E também ali me abandonei.&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-2721886781874687984?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/2721886781874687984/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=2721886781874687984&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2721886781874687984'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/2721886781874687984'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/11/sobre-manias.html' title='sobre manias'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-4481955598465945910</id><published>2011-11-10T23:42:00.000-02:00</published><updated>2011-11-10T23:42:26.426-02:00</updated><title type='text'>CIVILIZAÇÃO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;Antes&lt;/div&gt;&lt;div style="text-align: justify;"&gt;rota e grotesca aparência.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Força das mãos e dentes caninos desenvolvidos.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Fortaleceu-se ao cultivar a terra virgem e a comer do seu trabalho. E os pêlos do corpo se tornaram mais raros. O dom da retórica se desenvolveu e as diásporas contrapuseram civilizados e iletrados.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Adotou rituais universais. E naquela noite de mil horas buscou respostas tardias em manuscritos; e os gozos todos maculados...todas as barbáries cometidas!&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;Apreendeu os caprichos da terra orvalhada. E eles quando aqui chegaram, com todo o bolor medieval, destruíram rituais, estupraram crianças e mulheres púberes, 'honrando' seus sádicos soberanos com lanças, espadas e cruz! E todo o sangue possível derramado em solo americano.&lt;br /&gt;&lt;br /&gt;Tudo risco e engano! O planeta sem água e as crianças banhando-se com merda farta. A morbidez venceu e o espetáculo da tragédia é mercadoria fácil. A dizimação elegante não necessita mais de nenhuma eloquência.&lt;br /&gt;&lt;br /&gt;&amp;nbsp; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-4481955598465945910?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/4481955598465945910/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=4481955598465945910&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4481955598465945910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4481955598465945910'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/11/civilizacao.html' title='CIVILIZAÇÃO'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-4905621646464010468</id><published>2011-10-31T00:12:00.001-02:00</published><updated>2011-10-31T00:14:50.311-02:00</updated><title type='text'>NA ESQUINA DA MAFRA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;Na esquina da Mafra&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;com a Bento Gonçalves.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;O sonho ainda possível&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;da poesia em fúria.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;Derbakes e cordas&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;tingindo a tarde dos mortos.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;Iluminando mendigos&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;e alimentando o céu plúmbeo.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;A decadência de outrora.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;A marcha triste dos bêbados.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;No largo passo das horas,&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;mulheres varridas pelo tempo.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;E são 'tragos' noite adentro,&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;nas fronteiras do indizível.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;Eu a galope nas notas&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;e a companheira embalando&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;o sonho ainda possível...&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: right;"&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;(letra para uma milonga, Ilha de Santa Catarina&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: right;"&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;2006).&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-4905621646464010468?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/4905621646464010468/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=4905621646464010468&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4905621646464010468'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4905621646464010468'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/10/na-esquina-da-mafra.html' title='NA ESQUINA DA MAFRA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-6285690645105236689</id><published>2011-10-14T14:05:00.008-03:00</published><updated>2011-10-31T00:20:23.653-02:00</updated><title type='text'>AOS PROFESSORES</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;style type="text/css"&gt;h1 { margin-bottom: 0.11cm; text-align: center; }h1.western { font-family: "Batang","Arial Unicode MS"; font-size: 12pt; }h1.cjk { font-family: "Batang","Arial Unicode MS"; font-size: 12pt; }h1.ctl { font-family: "Batang","Arial Unicode MS"; font-size: 12pt; }p.sdfootnote-western { margin-left: 0.5cm; text-indent: -0.5cm; margin-bottom: 0cm; font-size: 10pt; }p.sdfootnote-cjk { margin-left: 0.5cm; text-indent: -0.5cm; margin-bottom: 0cm; font-size: 10pt; }p.sdfootnote-ctl { margin-left: 0.5cm; text-indent: -0.5cm; margin-bottom: 0cm; font-size: 10pt; }p { margin-bottom: 0.21cm; }a:link { color: rgb(0, 0, 255); }a.sdfootnoteanc { font-size: 57%; }&lt;/style&gt;&lt;br /&gt;&lt;div class="western" style="margin-bottom: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="western" style="margin-bottom: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="western" style="margin-bottom: 0cm;"&gt;&lt;/div&gt;&lt;div align="JUSTIFY" class="western" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; line-height: 150%; margin-bottom: 0cm; text-indent: 1.5cm;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;V&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif;"&gt;ivencia-se em Santa Catarina e no Brasil um momento nevrálgico da categoria docente na retomada de processos históricos adormecidos desde a década de 1980, quando professores e professoras, literalmente, paralisavam a nação. Em terras catarinenses não podemos esquecer o Plano Estadual de Educação (PEE) de 1984, assentado em bases populares e com a participação efetiva de escolas, associação de pais e professores, universidades públicas e sindicatos. Tempos em que a &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt;&lt;i&gt;radicalização democrática&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: large;"&gt; era, de fato, um princípio ético a ser perseguido.&lt;/span&gt;&lt;/div&gt;&lt;div align="JUSTIFY" class="western" style="font-family: Arial,Helvetica,sans-serif; line-height: 150%; margin-bottom: 0cm; text-indent: 1.5cm;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="JUSTIFY" class="western" style="font-family: Arial,Helvetica,sans-serif; line-height: 150%; margin-bottom: 0cm; text-indent: 1.5cm;"&gt;&lt;span style="font-size: large;"&gt;As mudanças históricas no final da década de 1980 e o &lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;triunfo do capital&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt; na década de 1990 esfacelaram as representações sindicais e desqualificaram a identidade docente. O pragmatismo pedagógico, a instrumentalidade do conhecimento, associado a índices alarmantes de evasão, repetência e violência no território escolar, passaram a fazer parte das tristes estatísticas no campo educacional. O Estado passou a ser ‘mínimo’ no que concerne aos investimentos educacionais e ‘máximo’ no que se refere ao controle de índices de aprovação, produtividade docente e vigilância aos professores afastados por motivos de doença crônica. Com tais dados à mão, as políticas públicas educacionais poderiam revolucionar este solo árido em que se transformou a escola brasileira que, apesar de tudo, ainda apresenta em seus quadros educadores valorosos, engajados empiricamente e compromissados com a sua comunidade local.&lt;/span&gt;&lt;/div&gt;&lt;div align="JUSTIFY" class="western" style="font-family: Arial,Helvetica,sans-serif; line-height: 150%; margin-bottom: 0cm; text-indent: 1.5cm;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="JUSTIFY" class="western" style="font-family: Arial,Helvetica,sans-serif; line-height: 150%; margin-bottom: 0cm; text-indent: 1.1cm;"&gt;&lt;span style="font-size: large;"&gt;O educador popular Paulo Freire (1921-1997) enfatizava que homens e mulheres feridos como ‘seres de compromisso’, aos poucos vão abandonando suas lutas cotidianas e, infelizmente, tornando os espaços sociais desprovidos da ação transformadora, tão necessária em tempos de ‘fundamentalismo do mercado’ e a paradoxal ‘privatização da ira individual’. &lt;/span&gt;&lt;span style="font-size: large;"&gt;Logo, no epicentro destas questões essenciais, deve-se compreender que a insatisfação do trabalho docente não pode ser desconectada de todas as demais instâncias deliberativas da escola e das políticas públicas propagadas até o momento. &lt;/span&gt;&lt;span style="font-size: large;"&gt;Em tempos escassos de referências humanas íntegras, os professores devem continuar lutando por uma educação pública de qualidade, tendo como princípio-mor uma sociedade justa, solidária e igualitária.&lt;/span&gt;&lt;/div&gt;&lt;div align="JUSTIFY" class="western" style="font-family: Arial,Helvetica,sans-serif; line-height: 150%; margin-bottom: 0cm; text-indent: 1.5cm;"&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="JUSTIFY" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; margin-bottom: 0cm; text-indent: 1.1cm;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div id="sdfootnote1" style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&lt;div align="JUSTIFY" class="sdfootnote-western"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: small;"&gt;&lt;a class="sdfootnotesym" href="http://www.blogger.com/post-create.g?blogID=20959261#sdfootnote1anc" name="sdfootnote1sym"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-6285690645105236689?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/6285690645105236689/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=6285690645105236689&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6285690645105236689'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6285690645105236689'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/10/aos-professores.html' title='AOS PROFESSORES'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-6274270432802955145</id><published>2011-10-04T01:14:00.003-03:00</published><updated>2011-10-04T01:14:55.769-03:00</updated><title type='text'>DESVELOS (RELEITURA EM MESA DE BAR)</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;;"&gt;E, de repente, fiz-me dezenas de perguntas; os oráculos nesta hora se calaram, pois acreditavam, piamente, no silêncio farsesco de suas sabedorias.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Que se ame sem perda integral, nos moldes sem censura, no crispar dos corpos e no regurgitar do amor. Que as mazelas da noite, tal qual feminil prostituída e irreconhecível, possa irromper entre as esferas do medo!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Que se ame, mas que o amor não seja de um mais solene ou de outro mais ardente...que o amor se transfigure numa unidade destemperada e sem culpa...que o amor responda pelos seus destinos e obscenidades...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Que a fábula se rasgue e transpareça a gota orvalhada no caos do gozo total...Quando clamei aos deuses, riram do meu destino e cuspiram “groselhas de fogo” em minha face mirim. Infância destituída de onirismos e uma irmandade sem apiedações. Enfim, a chama do amor Fatal!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Que se ame quase que como num assombro tresloucado. Que a volúpia também encontre seu degredo. Que a dependência psíquica e o afeto desproporcional rebentem as últimas tábuas de salvação, tal qual flechas de fogo, rasgando o ventre das estrelas...lá no céu...!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="right" class="MsoNormal" style="line-height: 150%; text-align: right; text-indent: 31.2pt;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;1999.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-6274270432802955145?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/6274270432802955145/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=6274270432802955145&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6274270432802955145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6274270432802955145'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/10/desvelos-releitura-em-mesa-de-bar.html' title='DESVELOS (RELEITURA EM MESA DE BAR)'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-1809431817152560927</id><published>2011-10-04T01:11:00.002-03:00</published><updated>2011-10-04T01:11:12.065-03:00</updated><title type='text'>OCASO</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Duas taças de vinho me puseram em supostaleveza... Quando te encontrei, vi-me encurralado e sem ação... Teus olhos eramnegros... Muito negros. Tuas mãos frias, desalentadas...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Brincamos como duas crianças e eu sabia oque a noite reservava a ambos... Sentamos nos bancos de um quiosque maliluminado, peguei tuas mãos e disse coisas sem nexo... Nossas pernas seroçavam, nossas bocas próximas e os corações distantes... Disseste: “Não temosjeito!” - tuas últimas palavras...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Depois dessa noite triste, mergulhasteprofundamente na agudeza de teus fracassos e de tuas mortes cotidianas ... e eupensava, - serenamente - em como não te dizer nada e nem te procurar ....&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-1809431817152560927?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/1809431817152560927/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=1809431817152560927&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1809431817152560927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1809431817152560927'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/10/ocaso.html' title='OCASO'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-8863994155617463702</id><published>2011-10-04T01:06:00.002-03:00</published><updated>2011-10-04T01:06:52.915-03:00</updated><title type='text'>FÁBULA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Na relva maciaonde eles se entregavam, os espiões se refestelaram de novidades e toda acidade soube do acontecido e todos se voltaram contra eles...&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Eram jovens ebonitos. Ela tinha este brilho fácil das jovens de sua idade, o rosto macio, oscabelos loiros e ondulados e uma pureza inconteste. Ele era altivo e sereno.Não era rude, antes delicado e viril, sem ser vulgar e pernicioso. Diria mesmoser um par raro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Mas, estascidadezinhas vis, onde os homens são taxados de frouxos e que bebem muito paraesquecer as mágoas, nunca mudarão seus hábitos tácitos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Os jovens foramexpostos como criminosos. Recriminados por amarem livremente e por serempuros.&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Degolam-secabeças como se degolam ervas daninhas. Misturas de tudo que é nocivo à boaplanta.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Logo, quandoamanheceu naquela cidadezinha torpe, encontrava-se em frente à casa do jovemuma mulher de luto, imensa cabeleira pestilenta, trazendo na mão uma Bíblia emfrangalhos e uma corja de tantas velhas infaustas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;O rapaz assistiusua casa ser queimada. Os ladrilhos arderam em chamas e os vidros das janelas,estilhaçados pelas pedras, rebentaram como disparos de revólveres.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;A cidade estavasalva daquele pequeno demônio. A moça passaria a morar com a tia distante, atéque todos se esquecessem do ocorrido.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Eles nunca maisse viram. Sabe-se que a cidade está maior (principal produtora de arroz daregião). Onde os jovens costumavam se encontrar foi erguido um enorme silo paraguardarem cereais. Estranhamente, o silo tinha uma fragrância de rosas e todosque ali entravam tinham a sensação de estar flutuando.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-size: 10.0pt;"&gt;Covardemente, osilo foi queimado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-8863994155617463702?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/8863994155617463702/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=8863994155617463702&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8863994155617463702'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8863994155617463702'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/10/fabula.html' title='FÁBULA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-8206681464724777029</id><published>2011-10-04T01:01:00.000-03:00</published><updated>2011-10-04T01:07:02.312-03:00</updated><title type='text'>FINITUDE</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;h1&gt;&lt;span class="Apple-style-span" style="font-family: Arial, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h1&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Quando tudo parecia bem, alegrava-se demaneira imbecil. Acreditava que tudo era fantástico. Assassinava todas asincredulidades e até achava que estava feliz. Mas, não podia. Porque o que elevia era muito mais grave. E era estarrecedor. O homem gordo, de aparênciabondosa, jogava palavras cruzadas na sala. O filho ocupava o tempo comvideogame. A mulher, também muito obesa, avistava as estrelas e tentava achar o‘cruzeiro do sul’. Assim foi o que viu na casa de um amigo. A morte metafóricados pais. E isto lhe revoltou o estômago.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Teve vontade de gritar, de saircorrendo inúmeras vezes. As piores noites eram aquelas de solidão. Sem amigos,sem vozes. Apenas a televisão ligada num canal qualquer. Emitindo asneiras esinais irritantes. Preparou o chimarrão. Tentou ler. Colocou um CD em seuaparelho de som. Música Popular Brasileira. Uma mulher que ficava sozinha napraia, brincava com a areia e com os peixes. Achou a canção surrealista.Desligou o aparelho. Sorveu o amargo e tentou continuar a leitura. O texto erasobre a infância de um garoto que havia mentido para um rapaz mais velho sobrea sua valentia. A mentira lhe valeu a honra. Chovia. Espreguiçou. Pareciamnoites de carnaval.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;No centro da cidade muitos tamboresindicavam ensaios de escolas de samba. Aquilo tão próprio do Brasil não lhepertencia. Os negros desciam os morros, cantavam, sorriam, bebiam e dançavam. Retomoua leitura, mas seus olhos não saíam da mesma linha. Espreguiçou. Telefonou paraum amigo. Não estava. Ligou para uma amiga. A secretária eletrônica respondeu.Desceu as escadas do prédio. O céu plúmbeo prenunciava uma chuva. Caminhoupelas calçadas sujas do bairro. Se a chuva começasse naquele instante, os bueirosficariam todos entupidos, imaginou. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent" style="text-indent: 31.2pt;"&gt;&lt;span style="font-family: Arial, sans-serif;"&gt;Mais tarde contouque havia visto a face da morte. Ela não era horrenda. Era calma, tranquila,feminina. Além do mais, era paciente. Sabia a hora de levar os seus escolhidos.Todos tentavam lhe consolar. Todos? Pouco mais de três amigos. E, por todas asmortes, riu de tudo, um gargalhar largo de quem não precisa provar mais nada.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-8206681464724777029?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/8206681464724777029/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=8206681464724777029&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8206681464724777029'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8206681464724777029'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/10/finitude.html' title='FINITUDE'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-212433490487647579</id><published>2011-10-04T00:43:00.000-03:00</published><updated>2011-10-04T00:43:04.198-03:00</updated><title type='text'>ENTREVISTA NA RÁDIO GUARUJÁ - AGOSTO DE 2011</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-LEoCIoIeV_c/Top-UD6OdaI/AAAAAAAAAeE/VLd1qZYoUbQ/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%25286%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-LEoCIoIeV_c/Top-UD6OdaI/AAAAAAAAAeE/VLd1qZYoUbQ/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%25286%2529.JPG" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;А jornalista Carol Gonzaga e os músicos Jéferson Dantas (esq.) &amp;nbsp;e Júnior Guerra (dir.). Os créditos das fotos são de Dienífer Dantas Bartnik&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Kz5NYvPG0WU/Top-Y56ryNI/AAAAAAAAAeI/TP_3G9WzhPA/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%252819%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-Kz5NYvPG0WU/Top-Y56ryNI/AAAAAAAAAeI/TP_3G9WzhPA/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%252819%2529.JPG" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Júnior Guerra e Jéferson Dantas divulgam o projeto 'Milongas Urbanas'.&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-OS71v6UGHgk/Top-d2892uI/AAAAAAAAAeM/IQ3QLLL9Mkg/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%252824%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-OS71v6UGHgk/Top-d2892uI/AAAAAAAAAeM/IQ3QLLL9Mkg/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%252824%2529.JPG" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;A primeira canção durante a entrevista: 'Marcha Estradeira'.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div dir="rtl" style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-ugQHuI-QBy8/Top-jIdRvsI/AAAAAAAAAeQ/NMmIe92OAWk/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%252829%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-ugQHuI-QBy8/Top-jIdRvsI/AAAAAAAAAeQ/NMmIe92OAWk/s1600/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%252829%2529.JPG" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;A foto final. Agradecimentos especiais à jornalista Carol Gonzaga e à equipe da Rádio Guarujá AM Florianópolis/SC&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-212433490487647579?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/212433490487647579/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=212433490487647579&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/212433490487647579'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/212433490487647579'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/10/entrevista-na-radio-guaruja-agosto-de.html' title='ENTREVISTA NA RÁDIO GUARUJÁ - AGOSTO DE 2011'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-LEoCIoIeV_c/Top-UD6OdaI/AAAAAAAAAeE/VLd1qZYoUbQ/s72-c/Letras+para+composi%25C3%25A7%25C3%25B5es+invernais_27+ago+2011+%25286%2529.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-3975222702646240030</id><published>2011-09-23T10:05:00.001-03:00</published><updated>2011-09-23T10:05:14.771-03:00</updated><title type='text'>COLHEITA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;vendemos&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;sonhos&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;e colhemos&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;sorrisos&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;nervosos da boca&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;do vento.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-3975222702646240030?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/3975222702646240030/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=3975222702646240030&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3975222702646240030'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3975222702646240030'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/09/colheita.html' title='COLHEITA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-5703849345366891717</id><published>2011-09-23T10:03:00.002-03:00</published><updated>2011-09-23T10:04:06.202-03:00</updated><title type='text'>TOCA-ME</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;às vezes&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;um toque&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;machuca,&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;&amp;nbsp;mesmo quando&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;o&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;toque-ternura&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;quer amar.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;às vezes&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;o toque&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;penetra, &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;mesmo quando&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;a&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;loucura-ternura&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14pt;"&gt;quer matar.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:WordDocument&gt;   &lt;w:View&gt;Normal&lt;/w:View&gt;   &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:TrackMoves/&gt;   &lt;w:TrackFormatting/&gt;   &lt;w:DoNotShowRevisions/&gt;   &lt;w:DoNotPrintRevisions/&gt;   &lt;w:DoNotShowMarkup/&gt;   &lt;w:DoNotShowComments/&gt;   &lt;w:DoNotShowInsertionsAndDeletions/&gt;   &lt;w:DoNotShowPropertyChanges/&gt;   &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:PunctuationKerning/&gt;   &lt;w:ValidateAgainstSchemas/&gt;   &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:DoNotPromoteQF/&gt;   &lt;w:LidThemeOther&gt;PT-BR&lt;/w:LidThemeOther&gt;   &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:Compatibility&gt;    &lt;w:BreakWrappedTables/&gt;    &lt;w:SnapToGridInCell/&gt;    &lt;w:WrapTextWithPunct/&gt;    &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"  DefSemiHidden="true" DefQFormat="false" DefPriority="99"  LatentStyleCount="267"&gt;   &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;   &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;   &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;   &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;   &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;   &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;   &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;   &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;   &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;   &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"   UnhideWhenUsed="false" Name="Table Grid"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;   &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;   &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;   &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt; 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  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;   &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;   &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt; 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  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;   &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt; 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mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;às vezes, &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;o toque &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;pode&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;remoer&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;antigas&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt;"&gt;mágoas do tempo.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-5703849345366891717?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/5703849345366891717/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=5703849345366891717&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5703849345366891717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5703849345366891717'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/09/toca-me.html' title='TOCA-ME'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-4627863861480784081</id><published>2011-09-23T10:01:00.001-03:00</published><updated>2011-09-23T10:01:59.241-03:00</updated><title type='text'>O NÃO-LUGAR</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt; /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;meu lugar&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;é o não-lugar.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;meu caminho&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;é o não-caminho.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;minha alegria&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;é a não-alegria&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;discórdia de dois mundos.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;mundo caduco,&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;fábula de&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;sonhos tão incertos.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;é quando não sou é que&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;me reconheço,&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;na estrada nua dos teus braços.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;na tragicomédia&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;de nossos atos.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;e me entrego ao crepúsculo.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;e me entrego ao crepúsculo...&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-4627863861480784081?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/4627863861480784081/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=4627863861480784081&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4627863861480784081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4627863861480784081'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/09/o-nao-lugar.html' title='O NÃO-LUGAR'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-7999497877111218944</id><published>2011-09-23T09:58:00.001-03:00</published><updated>2011-09-23T09:58:27.669-03:00</updated><title type='text'>LEVEZA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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   &lt;w:UseAsianBreakRules/&gt;    &lt;w:DontGrowAutofit/&gt;    &lt;w:SplitPgBreakAndParaMark/&gt;    &lt;w:DontVertAlignCellWithSp/&gt;    &lt;w:DontBreakConstrainedForcedTables/&gt;    &lt;w:DontVertAlignInTxbx/&gt;    &lt;w:Word11KerningPairs/&gt;    &lt;w:CachedColBalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathPr&gt;    &lt;m:mathFont m:val="Cambria Math"/&gt;    &lt;m:brkBin m:val="before"/&gt;    &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;    &lt;m:smallFrac m:val="off"/&gt;    &lt;m:dispDef/&gt;    &lt;m:lMargin m:val="0"/&gt;    &lt;m:rMargin m:val="0"/&gt;    &lt;m:defJc m:val="centerGroup"/&gt;    &lt;m:wrapIndent m:val="1440"/&gt;    &lt;m:intLim m:val="subSup"/&gt;    &lt;m:naryLim m:val="undOvr"/&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"  DefSemiHidden="true" DefQFormat="false" DefPriority="99"  LatentStyleCount="267"&gt; 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font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;com&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;as minhas escolhas.&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;e quando&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;o domingo se finda&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;acenando para &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;mais uma semana&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;nem o coração&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;entende&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;o porquê de tanta &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;leveza&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;em tempos de &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;neve nos&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-bidi-font-size: 12.0pt;"&gt;semblantes alheios.&lt;/span&gt;&lt;/div&gt;&lt;span style="color: black; font-family: &amp;quot;High Tower Text&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: PT-BR; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-size: 12.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: PT-BR;"&gt;&lt;br clear="all" style="mso-special-character: line-break; page-break-before: always;" /&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-7999497877111218944?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/7999497877111218944/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=7999497877111218944&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7999497877111218944'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7999497877111218944'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/09/leveza.html' title='LEVEZA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-6871888607582601772</id><published>2011-09-06T17:00:00.001-03:00</published><updated>2011-09-06T17:00:08.635-03:00</updated><title type='text'>TARDE ÚMIDA</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;   &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;   &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;   &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;   &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt; /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabela normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Quero poder dormir sem culpa&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;e ouvir o cantar da chuva ...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Quero poder sentir meu corpo&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;integrado,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;sem perda nem cansaço,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;na força de meus passos&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;o Homem pleno e amado...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Nas folhas das árvores,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;onde o orvalho se esconde,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;minha menina me beijará&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;agridoce&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;serena &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;e hesitante ...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;com o coração quase&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;exultante...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Quero expandir meu peito,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;respirar o ar mais puro da cidade,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;flertar com a menina do vestido&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;molhado e&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;de cabelos anelados&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;manchando os ares&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;com minha&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;espada&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;em&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;sangue...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Enredo a angústia,&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;ilustrando a minha &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;dor mais&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;aguda...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Uma chamada tua&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;não será mais ameaça&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;e a chuva&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;apertará os nossos passos e tu&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;sentirás&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;minhas mãos úmidas e&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;nossos &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;olhos&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;terão o brilho do&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;fogo...!&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;Quero encostar a cabeça no travesseiro, na&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;última hora do dia ... com extrema euforia ...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;com meu mais fantástico ardor ... minha mais&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;dolorosa alegria ....&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="right" class="MsoNormal" style="line-height: 150%; text-align: right; text-indent: 79.4pt;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: &amp;quot;Book Antiqua&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-bidi-font-size: 10.0pt;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;1994.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 79.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-6871888607582601772?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/6871888607582601772/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=6871888607582601772&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6871888607582601772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/6871888607582601772'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/09/tarde-umida.html' title='TARDE ÚMIDA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-5903228114965035789</id><published>2011-09-01T17:45:00.003-03:00</published><updated>2011-09-01T17:46:43.900-03:00</updated><title type='text'>DO LIVRO 'PALIMPSESTOS OU O MERGULHO DAS VOZES'</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="font-family: &amp;quot;Trebuchet MS&amp;quot;,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;Todo dia é uma redenção. E eu teimo em falar. Você me dizia que não valia a pena sonhar. E eu escutava vozes de furacão; recordava-me do que fui e do que foste. Queria apreender aquele exato momento em que te encontrei chamejante. Aquele instante em que percebemos que estamos próximos de tudo que sempre buscamos. Tudo turva ignorância! Somente reflexo da aparência. No interior mais fundo que desejávamos construir, algo foi se perdendo, alavanca hoje do meu desespero. E o teu olhar cada dia mais triste, dizia-me mais do que míseras palavras. E, ao acordar vazio, ainda sonâmbulo, de mil noites mal dormidas, percebi que tinhas partido... sim! Foste viver os teus sonhos perdidos. E a pior sensação da perda é acreditar que aquilo que tínhamos ainda pode estar ali...como da primeira vez...como da primeira vez...&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-5903228114965035789?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/5903228114965035789/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=5903228114965035789&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5903228114965035789'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5903228114965035789'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/09/do-livro-palimpsestos-ou-o-mergulhos.html' title='DO LIVRO &apos;PALIMPSESTOS OU O MERGULHO DAS VOZES&apos;'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-3191765901539867643</id><published>2011-08-24T10:43:00.003-03:00</published><updated>2011-08-24T10:44:58.454-03:00</updated><title type='text'>Alerta para Florianópolis</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="right" class="MsoNormal" style="text-align: right;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-size: 12pt; line-height: 115%;"&gt;Jéferson Dantas&lt;a href="http://www.blogger.com/post-create.g?blogID=20959261#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 115%;"&gt;[1]&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="right" class="MsoNormal" style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-size: 12pt; line-height: 150%;"&gt;As chuvas que abalaram a cidade do Rio de Janeiro nos últimos anos, ceifando a vida de centenas de pessoas, notadamente as que residem nas encostas dos morros, é uma demonstração evidente de que as políticas públicas nas grandes metrópoles foram incapazes de resolver problemas crônicos de ocupação irregular nos morros e, principalmente, em reduzir as elevadas taxas de migração. A cidade de Florianópolis, guardadas as devidas proporções, vivencia uma situação tão alarmante quanto à do Rio de Janeiro. Apenas em sua área insular no Maciço Central do ‘Morro da Cruz’, concentra-se aproximadamente uma população de 30 mil habitantes. A área total do Maciço é de 2,1 milhões de metros quadrados, sendo que quase 700 mil metros quadrados são de ocupação humana. Todavia, outros ‘bolsões de miséria’ tem se espalhado por outros bairros periféricos de Florianópolis em seu recorte insular e também continental, sem falar do elevado adensamento populacional nas cidades que circundam a capital catarinense.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-size: 12pt; line-height: 150%;"&gt;Já na década de 1990, das 11 áreas de risco da ilha de Santa Catarina, 9 estavam concentradas no Maciço do Morro da Cruz, provavelmente ocasionadas pela extração de madeira, esgotamento do solo e construção de habitações irregulares. Num período de chuvas mais constantes, o perigo de deslizamento nas encostas dos morros sobe para quase 10%, segundo estudos dos geomorfólogos. Se o adensamento populacional nas comunidades dos morros do Maciço manter este ritmo nos próximos anos, provavelmente teremos um cenário trágico tão devastador quanto o que ocorreu no Rio de Janeiro e Niterói.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-size: 12pt; line-height: 150%;"&gt;Compreender as desigualdades espaço-temporais e as dinâmicas de produção da existência nos espaços urbanos deveria estar no horizonte de qualquer planejamento estatal. Entretanto, numa cidade como Florianópolis onde os espaços públicos estão sendo cada vez mais privatizados e onde há um isolamento ‘sanitário’ entre os de ‘cima’ e os de ‘baixo’, as perspectivas não são nada animadoras. Tais territórios ‘guetizados’, muitas vezes sem acesso à água potável, sistema de esgoto, recolhimento do lixo doméstico, são formados por homens e mulheres estigmatizados por viverem nos morros (muitos/as deles/as provenientes das áreas rurais de Santa Catarina), ainda que boa parte Da força de trabalho da construção civil sobrevenha destes espaços sociais. Não há mais como fugir desta problemática, sob pena de, literalmente, chorarmos sob o leite derramado.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="mso-element: footnote-list;"&gt;&lt;br /&gt;&lt;hr align="left" size="1" width="33%" /&gt;&lt;div id="ftn1" style="mso-element: footnote;"&gt;&lt;div class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=20959261#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Historiador e Doutorando em Educação (UFSC). Articulador, pesquisador e consultor pedagógico na Comissão de Educação do Fórum do Maciço do Morro da Cruz (CE/FMMC). E-mail: &lt;a href="mailto:clioinsone@gmail.com"&gt;clioinsone@gmail.com&lt;/a&gt;. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-3191765901539867643?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/3191765901539867643/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=3191765901539867643&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3191765901539867643'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3191765901539867643'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/08/alerta-para-florianopolis.html' title='Alerta para Florianópolis'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-1251906577602599042</id><published>2011-08-19T09:30:00.006-03:00</published><updated>2011-08-19T09:30:27.900-03:00</updated><title type='text'>A OFENSIVA DOS HISTORIADORES</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="border-bottom: solid #4F81BD 1.0pt; border: none; mso-element: para-border-div; padding: 0cm 0cm 4.0pt 0cm;"&gt;&lt;div align="center" class="MsoTitle" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 16pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="right" class="MsoNormal" style="text-align: right;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Jéferson Dantas&lt;a href="http://www.blogger.com/post-create.g?blogID=20959261#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11pt; line-height: 115%;"&gt;[1]&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div align="right" class="MsoNormal" style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;A materialidade do ofício dos historiadores são as fontes (periódicos, revistas, relatórios, iconografias, atas, cartografias, etc.) e, a partir delas, a investigação sócio-histórica se adensa e se complexifica de acordo com as ferramentas metodológicas provenientes de sua episteme. No que tange ao conhecimento histórico escolarizado, a pesquisa acadêmica oferece importantes subsídios para os professores da Educação Básica repensarem as suas práticas pedagógicas ou mesmo adotarem livros didáticos sintonizados com a reflexão permanente e o gosto pela pesquisa.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Contudo, os historiadores – profissão ainda não reconhecida/regulamentada pelo Congresso Nacional – estão impossibilitados de exercerem o seu ofício, principalmente aqueles que lidam com a história recente do país. Documentos relacionados à tortura durante o período ditatorial no Brasil (1964-1985) encontram-se indisponíveis, justamente, para os/as profissionais que mais necessitam destas fontes para a condução de suas investigações científicas. Países como Argentina e Chile têm prestado contas do seu passado histórico recente, não apenas para trazer à tona as chagas da Ditadura, mas para que as novas gerações conheçam e lutem por uma sociedade desprovida da lógica persecutória e de atentados à vida e à dignidade humanas. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;O ex-ministro da Defesa, Nelson Jobim, foi omisso ou incapaz de interceder junto às Forças Armadas a abertura dos documentos relacionados ao período ditatorial. Fica-nos a impressão de que não é importante remexer nas feridas do passado, protelando-se ou condenando ao esquecimento o que, efetivamente, não pode ser esquecido. Os historiadores lidam, essencialmente, com três categorias centrais: o tempo, o espaço e a memória. Na conjugação destas três categorias estrutura-se a ‘narrativa histórica’, delimitada temporalmente e dependente das fontes disponíveis. O Estado brasileiro, todavia, tem negado aos historiadores o direito da pesquisa, embora a Comissão de Direitos Humanos e Minorias no Congresso Nacional tenha aprovado a criação da Comissão Nacional da Verdade, que objetiva o esclarecimento da violação dos direitos humanos durante o regime militar.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;A Lei da Anistia de 1979, uma excrescência jurídica que igualou torturadores e torturados, tentou apagar definitivamente qualquer possibilidade de dissenso. Entretanto, a História existe para continuarmos lembrando daquilo que insistentemente os variados veículos de manipulação insistem em menosprezar e destruir. Clio, portanto, manter-se-á insone e vigilante!&lt;/span&gt;&lt;/div&gt;&lt;div style="mso-element: footnote-list;"&gt;&lt;br /&gt;&lt;hr align="left" size="1" width="33%" /&gt;&lt;div id="ftn1" style="mso-element: footnote;"&gt;&lt;div class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=20959261#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; Historiador e Doutorando em Educação (UFSC). Secretário-Geral da ANPUH (Associação Nacional dos Professores de História) Seção Santa Catarina. E-mail: clioinsone@gmail.com.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-1251906577602599042?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/1251906577602599042/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=1251906577602599042&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1251906577602599042'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/1251906577602599042'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/08/ofensiva-dos-historiadores.html' title='A OFENSIVA DOS HISTORIADORES'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-5845694692682561189</id><published>2011-08-07T22:08:00.005-03:00</published><updated>2011-08-19T09:44:03.479-03:00</updated><title type='text'>CONVITE: Espetáculo Musical  'Letras para composições invernais"</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="background-color: #eeeeee; color: #eeeeee; text-align: justify;"&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;Amig@s!&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;Convidamos para o espetáculo "&lt;b&gt;Letras para composições invernais&lt;/b&gt;" (Ensaio 1), com &lt;b&gt;Jéferson Dantas &lt;/b&gt;(violão elétrico e voz) e &lt;b&gt;Júnior Guerra&lt;/b&gt; (violão acústico).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;                  &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;ONDE: &lt;/b&gt;Teatro da Ubro&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;QUANDO: &lt;/b&gt;27 de agosto de 2011 (sábado)&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;HORÁRIO: &lt;/b&gt;20h &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;QUANTO: &lt;/b&gt;R$ 10,00 (Inteira) e R$ 5,00 (Meia-entrada)&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;INGRESSOS: &lt;/b&gt;à  venda com os músicos ou diretamente na bilheteria do Teatro da Ubro  (Escadaria da Rua Pedro Soares, 15, Centro, Florianópolis/SC).&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;     &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;RELEASE: &lt;/b&gt;O  espetáculo apresenta um repertório de 23 canções, tendo como temáticas  centrais: o amor, a amizade, a solidão e a paisagem sulista imortalizada  nas milongas. O show é um 'ensaio' para o espetáculo futuro &lt;b&gt;Milongas Urbanas &lt;/b&gt;concebido por &lt;b&gt;Jéferson Dantas&lt;/b&gt; e o percussionista de origem uruguaia, &lt;b&gt;Pablo Mizraji&lt;/b&gt;, tendo a participação especial do baixista, &lt;b&gt;Gilberto Borges&lt;/b&gt;. &lt;b&gt;Júnior Guerra&lt;/b&gt; se integra a este projeto com arranjos de cordas. Todos os músicos são integrantes do grupo poético-musical &lt;a href="http://grupomusicalcasadaginga.blogspot.com/" target="_blank"&gt;Casa da Ginga&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;         As letras das canções são de autoria de Danielle Antunes, Jéferson Dantas e Pablo Mizraji.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;Influências musicais&lt;/b&gt;: Vitor Ramil, Secos &amp;amp; Molhados, Kleiton &amp;amp; Kledir, Leopoldo Rassier, César Passarinho e Victor Hugo.&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;             &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;Links (&lt;b&gt;Projeto Milongas Urbanas&lt;/b&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;          &lt;b&gt;Youtube:&lt;/b&gt; &lt;a href="http://youtu.be/__vNqQLD1nE" target="_blank"&gt;http://youtu.be/__vNqQLD1nE&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;    &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="http://youtu.be/6nVbc4EXIPU" target="_blank"&gt;http://youtu.be/6nVbc4EXIPU&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="http://youtu.be/p3iEQ1kyH2o" target="_blank"&gt;http://youtu.be/p3iEQ1kyH2o&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;          &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;No Facebook, acesse o link&amp;nbsp;&lt;/b&gt; &amp;nbsp; &lt;a href="https://www.facebook.com/pages/Projeto-musical-Milongas-Urbanas/142178712531538" target="_blank"&gt;https://www.facebook.com/&lt;wbr&gt;&lt;/wbr&gt;pages/Projeto-musical-&lt;wbr&gt;&lt;/wbr&gt;Milongas-Urbanas/&lt;wbr&gt;&lt;/wbr&gt;142178712531538&lt;/a&gt; &amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;          &lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: black; color: #eeeeee;"&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;&lt;b&gt;Palco MP3 Jéferson Dantas: &lt;a href="http://palcomp3.com/jefdantas/#" target="_blank"&gt;http://palcomp3.com/jefdantas/&lt;wbr&gt;&lt;/wbr&gt;#&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: garamond,serif; font-size: x-large;"&gt;    &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-5845694692682561189?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/5845694692682561189/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=5845694692682561189&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5845694692682561189'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/5845694692682561189'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/08/convite-espetaculo-musical-letras-para.html' title='CONVITE: Espetáculo Musical  &apos;Letras para composições invernais&quot;'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-8968380794146648530</id><published>2011-08-03T00:18:00.002-03:00</published><updated>2011-08-03T00:18:17.056-03:00</updated><title type='text'>EXEMPLO QUE VEM DO CHILE</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;  &lt;div align="right" class="MsoNormal" style="text-align: right;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;O Chile foi o primeiro país da América Latina a implementar medidas neoliberais ainda na década de 1970 durante a ditadura de Augusto Pinochet (1915-2006), que por meio de um golpe de Estado governou aquele país de forma extremamente brutal de 1973 a 1990. Amigo pessoal de Margaret Thatcher – então primeira-ministra britânica entre 1979 e 1990 – e alcunhada de &lt;i style="mso-bidi-font-style: normal;"&gt;dama de ferro &lt;/i&gt;devido à sua postura política extremamente liberal e ao mesmo tempo autoritária e privatista, Pinochet conduziu o Estado chileno a uma dependência excessiva dos ‘humores’ do mercado. Áreas estratégicas como saúde e educação ficaram nas mãos da iniciativa privada e nos dias de hoje o Chile não chega a investir 2% de seu PIB em educação pública, o que tem gerado uma série de protestos pela juventude chilena, que tem dificuldades em obter o crédito educativo para se manter numa universidade.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Os efeitos do neoliberalismo se fizeram sentir num curto espaço de tempo. Se para a &lt;i style="mso-bidi-font-style: normal;"&gt;dama de ferro&lt;/i&gt; ‘não havia alternativa’ e a única saída era a salvaguarda do deus-mercado, a história nos mostra que a anulação da democracia e a tentativa de se destruir as identidades coletivas (sindicatos, movimentos sociais, fóruns, etc.) requer hoje em dia uma nova interpretação diante dos recentes acontecimentos que mobilizam as novas gerações sem perspectivas de empregabilidade. A ‘retórica do inevitável’ apregoada pelas políticas neoliberais ganhou com as manifestações estudantis no Chile um novo panorama em termos de aplicação dos recursos públicos pelo Estado. A bancarrota dos países ibéricos e da Grécia na Europa são também sintomas evidentes de como o capital especulativo e a ciranda financeira podem destruir os sonhos e as perspectivas das futuras gerações.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Mais do que ícones que possam surgir a partir das grandes manifestações estudantis no Chile, há aí uma demonstração muito vivaz de que é possível se construir ‘outras alternativas’ diante do fatalismo neoliberal. O presidente chileno Sebastián Piñera, que amarga apenas 30% de aprovação popular, terá de enfrentar a herança de Pinochet, o que não significa que fará grandes mudanças sociais já que representa os interesses da elite conservadora chilena. Por outro lado, o Chile é o ‘emergente grupal’ latino-americano – apenas para utilizar um termo psicanalítico – tendo em vista que suas mazelas denotam as rachaduras de um modelo econômico incapaz de comportar as demandas sociais. Há de se aprender com as lições chilenas!&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="mso-element: footnote-list;"&gt;&lt;br clear="all" /&gt;&lt;hr align="left" size="1" width="33%" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-8968380794146648530?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/8968380794146648530/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=8968380794146648530&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8968380794146648530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8968380794146648530'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/08/exemplo-que-vem-do-chile.html' title='EXEMPLO QUE VEM DO CHILE'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-3838065193477464647</id><published>2011-07-28T09:04:00.001-03:00</published><updated>2011-07-28T09:05:51.754-03:00</updated><title type='text'>TÊNUE EXISTÊNCIA</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&amp;nbsp;O artigo abaixo foi publicado originalmente no Jornal &lt;i&gt;A Notícia&lt;/i&gt;, de Joinville/SC, no dia 26 de julho de 2011. O artigo pode ser acessado pelo link: &lt;a href="http://www.clicrbs.com.br/anoticia/jsp/default2.jsp?uf=2&amp;amp;local=18&amp;amp;source=a3413276.xml&amp;amp;template=4187.dwt&amp;amp;edition=17608&amp;amp;section=892"&gt;http://www.clicrbs.com.br/anoticia/jsp/default2.jsp?uf=2&amp;amp;local=18&amp;amp;source=a3413276.xml&amp;amp;template=4187.dwt&amp;amp;edition=17608&amp;amp;section=892&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;A  indústria cultural continua ceifando vidas, alimentando a sanha de  determinados tabloides ordinários, padronizando o que se deve vestir,  enxergar, comer e escutar. A frenética e doentia corrida contra o tempo  se associa à “infotoxicação”, que não tem nos permitido pensar, dialogar  e encontrar os amigos de forma presencial. Em outras palavras, há uma  profunda indiferença ao “cuidado de si” e do “cuidado com o outro”. Eis a  síntese de uma lógica célere, desgovernada, desideologizada e cada vez  menos atenta à materialidade que nos constitui ontologicamente. Para o  filósofo húngaro István Mészáros, somente por meio da inter-relação mais  próxima entre os indivíduos e a humanidade é possível potencializar os  diferentes grupos sociais e superar a tirania do capital, que legitima  apenas a lucratividade destrutiva e a reprodução fetichista.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;Nesta  direção, a morte precoce de uma jovem compositora e intérprete deveria  ser compreendida não apenas pela bitola da trivial fatalidade, mas pelo  conjunto de situações que levam um ser humano a ter de se escudar de uma  exposição absurdamente esquizofrênica ou histérica, mesmo que isto  custe a sua própria vida. A “sociedade do espetáculo” e dos “cinco  minutos de fama” exercem um tremendo fascínio sobre os egos  inflados/incautos e, ao mesmo tempo, esmera-se em construir/desconstruir  ídolos e uma caterva de fanatismo destemperado. No caso da jovem  cantora inglesa, o talento era notório, mas sua estrutura emocional era  débil para suportar as exigências das gravadoras, dos seus agentes, de  sua relações afetivas e do seu próprio público.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;br /&gt;A arte deixa de  ser fruição humana para se tornar elemento coisificado. O criador não  detém o conjunto de sua obra, pois tem de atender a “novas tendências”  que vão descaracterizando a potência inventiva que lhe constituiu  artista. Fugir de tal circuito é assinar um contrato de ostracismo. Esta  é a armadilha e o preço que se pagam pela necessidade da notoriedade ad  nauseam. O veio narcísico não se encabula mais. Está presente em todas  as esferas da vida material humana. Por trás de uma fragilizada  existência se ocultam estratégias de manipulação, crueldade e  exploração. Que lembremos, pois, do inventário desta criadora, que  poderia ter nos legado uma obra mais longeva e amadurecida.&lt;br /&gt;&lt;a href="mailto:clioinsone@gmail.com"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-3838065193477464647?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/3838065193477464647/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=3838065193477464647&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3838065193477464647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3838065193477464647'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/07/tenue-existencia.html' title='TÊNUE EXISTÊNCIA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-3492379301601493621</id><published>2011-07-26T12:39:00.004-03:00</published><updated>2011-07-26T12:43:57.304-03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Greve do Magistério 2011'/><title type='text'>PROFESSORES EM GREVE</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: large;"&gt;O referido artigo abaixo não foi publicado pelo periódico "Diário Catarinense' durante a greve do magistério catarinense, ainda que se tratasse de matéria paga.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;Em greve, os professores do Estado de Santa Catarina reivindicam de forma justa, legítima e de direito a aplicação da lei Nº 11.738, de 16 de julho de 2008, que institui o piso salarial profissional nacional para os profissionais do magistério público da educação básica, estipulado em R$ 1.187,97.&amp;nbsp; Por pressão pública, o Governo mostrou reconhecer na mídia a constitucionalidade da lei, porém incorre, novamente, na infração dos direitos adquiridos pelos professores, dos benefícios conquistados pela categoria ao longo dos anos do exercício de sua profissão.&amp;nbsp; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;A Medida Provisória&amp;nbsp; Nº 188/11, apresentada pelo governo do Estado aos professores, é aviltante. Ela reduz os percentuais das gratificações relacionadas às atividades de sala de aula, visando chegar ao valor mínimo do piso salarial, criando assim, aos olhos da sociedade catarinense, uma imagem de Governo cumpridor de suas obrigações. Além disso, sua proposta desestimula os professores a continuar seus estudos para a melhoria de sua prática pedagógica, porque não há incentivo para a progressão na carreira. Também não considera a ampliação das horas remuneradas para preparação de aulas, correção de trabalhos etc, desrespeitando cláusula constante da lei do piso, portanto descumprindo a lei. Já no que se refere ao auxílio alimentação, o professor da rede estadual recebe R$120,00 mensais, enquanto outro trabalhador estadual, um deputado, por exemplo, recebe R$1.000,00, valor que se aproxima ao piso salarial que a lei estabelece e o Estado reluta em cumprir.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Não bastasse isso, o Governo agora efetivou o desconto nos pagamentos dos salários dos professores numa atitude de autoritarismo e repressão ao movimento grevista, que luta pelo respeito, pela valorização do profissional da educação e por uma escola pública da melhor qualidade.&amp;nbsp; A forma de pagamento do piso que o Governo propõe pela MP Nº 188/11 não pode ferir os direitos já adquiridos pelos professores ao longo da carreira, muito menos desencorajá-los a continuar estudando e se aperfeiçoando, pois isso prejudica a busca pela qualidade da educação que os professores querem oferecer, e as crianças e jovens merecem receber. Não é à toa que muitos jovens não querem ser professores! Com todas essas agressões ao direito e à justiça, é de se esperar que os professores reajam à altura. Nacionalmente, com a liderança da CNTE, e em cada estado, com os sindicatos locais – aqui em Santa Catarina o SINTE – os professores deflagraram a mais forte greve da categoria nos últimos anos. Com o apoio quase unânime da sociedade, é impensável que fiquemos calados face às ameaças absurdas que o Governo resolveu por em curso. O Governo alega não ter verbas para cumprir o piso salarial dos professores, mas, e quanto à verba do Fundo de Manutenção e Desenvolvimento da Educação Básica e de Valorização dos Profissionais da Educação (Fundeb) destinada a este estado?&amp;nbsp; O Fundeb é um fundo composto por transferências automáticas de partes de impostos arrecadados pela união e pelos estados, visando criar condições aos estados de proporcionar aos professores uma efetiva elevação dos salários e garantia de um piso salarial nacional. Parte desta&amp;nbsp; verba é destinada a salários e a outra para a&amp;nbsp; manutenção das escolas. No entanto, foram divulgadas informações na mídia que indicam que em Santa Catarina parte deste recurso está sendo destinado para outros fins.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Como vem acontecendo em sucessivos inícios de ano letivo, em muitas escolas do estado, as aulas começaram com muitas precariedades, conforme atestam as mais variadas matérias na mídia tanto escrita como televisiva. Faltam professores e funcionários, os prédios estão mal conservados, há sobrecarga de trabalho em todas as funções, entre outras mazelas com que a comunidade escolar tem que se haver cotidianamente para continuar ofertando os serviços educacionais que dela se esperam. Nos últimos anos escolas significativamente importantes na comunidade fecharam suas portas. Esta situação tem se agravado ainda mais pela privatização descarada, promovida por sucessivas administrações das funções públicas, a terceirização dos serviços escolares, muitas vezes de qualidade duvidosa, em nome da eficiência da gestão escolar sem, contudo, resolver os problemas que afligem a educação no nosso estado. De certo o senhor governador e aqueles que o sustentam no exercício do poder não poriam seus filhos a estudar em uma escola desta.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Este é o retrato do desrespeito e da desvalorização da educação e da profissão docente por um Governo que deveria primar por excelência neste&amp;nbsp; estado. Aliás, fica muito difícil falar em excelência quando se examina a situação da EDUCAÇÃO, SAÚDE e SEGURANÇA PÚBLICA, e o acesso da população a esses bens.&amp;nbsp; São os professores que cuidam da formação de crianças, jovens e adultos para a cidadania. Diante do ato de repressão do Governo do Estado de&amp;nbsp; Santa Catarina à organização dos professores, com descontos nos pagamentos de seus salários no presente mês, os professores do Departamento de Metodologia do Ensino, do Centro de Ciências da Educação da Universidade Federal de Santa Catarina, reafirmando seu compromisso intransigente com a ESCOLA PÚBLICA e de qualidade satisfatória, se colocam solidários&amp;nbsp; à luta da categoria e estão a providenciar um undo de apoio financeiro aos colegas. Isto porque&amp;nbsp; consideram que, para uma Educação de qualidade, é crucial que o Estado invista em salários decentes e em infra-estrutura das escolas. E isso é tarefa urgente e não das futuras gerações, pois, mais do que lutar pelo cumprimento da lei, luta-se pela manutenção de direitos sociais conquistados e por resgatar a dignidade aviltada pelos profetas do fim da HISTÓRIA, defendendo a indissociabilidade entre educação de qualidade, voltada para as tarefas da transformação social, e condições materiais e de trabalho adequadas na escola pública.&amp;nbsp; É esta, pois, a mensagem de apoio e solidariedade aos professores da rede estadual de ensino de SANTA CATARINA e do BRASIL, pois na SUBSERVIÊNCIA NÃO HÁ SAÍDA.&amp;nbsp; &lt;br /&gt;&amp;nbsp; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;br /&gt;Prof. Dr. Nestor Manoel Habkost&amp;nbsp; &lt;br /&gt;Chefe do Departamento de Metodologia do Ensino da UFSC &lt;br /&gt;e Professores do MEN/CED/UFSC &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-3492379301601493621?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/3492379301601493621/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=3492379301601493621&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3492379301601493621'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/3492379301601493621'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/07/professores-em-greve.html' title='PROFESSORES EM GREVE'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-4166387211537223249</id><published>2011-07-21T14:18:00.002-03:00</published><updated>2011-07-21T14:18:31.554-03:00</updated><title type='text'>LIÇÕES DE UMA GREVE</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;  &lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: PT-BR;"&gt;Nenhuma greve passa incólume por qualquer trabalhador. Os aprendizados são inúmeros e a greve do magistério catarinense foi uma clara demonstração de como a classe docente modificou suas ações e enfrentamentos em relação às estratégias de desqualificação e desmobilização do aparato estatal. Reivindicou de forma justa e legítima a instituição da Lei nº 11.738 (Piso Salarial Nacional), que foi aprovada em julho de 2008, mas que o governo LHS fez questão de fazer vistas grossas e ouvidos moucos. Até mesmo a mídia de massa foi obrigada a reconhecer que a greve do magistério tratava-se de um movimento organizado em concordância com preceitos constitucionais, assegurando espaços de debates em seus tablóides. Sem falar dos recursos desviados do Fundo de Manutenção e Desenvolvimento da Educação Básica e de Valorização dos Profissionais da Educação (FUNDEB), questão que veio à tona durante a greve graças à denúncia de parlamentares da oposição.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: PT-BR;"&gt;O Projeto de Lei Complementar (PLC) 026/2011 que altera o plano de carreira e o salário dos professores foi aprovado em tempo recorde antes do recesso dos parlamentares catarinenses, numa manobra antidemocrática, já que não se constituiu um prazo mínimo para que todos/as os/as parlamentares lessem o conteúdo do PLC e fizessem as devidas considerações numa plenária aberta ao público. O que se viu – amplamente divulgado por jornais, tevês e portais da internet – foi a truculência das tropas de choque na Assembleia Legislativa, evitando que os ‘perigosos’ professores interrompessem a votação do projeto de lei (que prejudica o magistério catarinense).&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: PT-BR;"&gt;Com o fim da greve e o recomeço das aulas eis que os/as professores/as puderam avaliar a importância de sua força coletiva. Nas redes sociais virtuais é amplo o debate sobre as estratégias políticas futuras, além de um espírito combativo que extrapola os limites das salas de aula. Há inclusive a ideia compartilhada de se constituir um partido político formado apenas por professores/as, já que uma das avaliações da classe docente é de que o atual parlamento catarinense é vastamente fisiológico e está longe de representar os interesses públicos (com algumas raras exceções). Num contexto em que as futuras gerações formadas nos bancos das universidades catarinenses não querem exercer a profissão do magistério pelos baixos salários e péssimas condições de trabalho, os professores e professoras catarinenses demonstraram que a politização do debate educacional é urgente e necessária. É uma luta coletiva que se insurge não apenas em relação a uma reivindicação pontual. Trata-se de uma assisada denúncia dos desmandos do poder público e os seus correspondentes efeitos na educação básica catarinense. I&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="mso-element: footnote-list;"&gt;&lt;br clear="all" /&gt;  &lt;hr align="left" size="1" width="33%" /&gt;    &lt;div id="ftn1" style="mso-element: footnote;"&gt;  &lt;div class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=20959261#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 8.0pt;"&gt;&lt;span style="mso-special-character: footnote;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 8.0pt; line-height: 115%; mso-ansi-language: PT-BR; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 8.0pt;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-4166387211537223249?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/4166387211537223249/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=4166387211537223249&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4166387211537223249'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/4166387211537223249'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/07/licoes-de-uma-greve.html' title='LIÇÕES DE UMA GREVE'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-7182386819810026037</id><published>2011-07-16T23:29:00.002-03:00</published><updated>2011-07-16T23:29:54.950-03:00</updated><title type='text'>TEMATIZANDO A HISTÓRIA</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}&lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 42.55pt;"&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;A história brasileira recente está longe de ser totalmente revelada. A tentativa por parte de organizações defensoras dos direitos humanos em se retomar as buscas dos corpos dos/a desaparecidos/as políticos na guerrilha do Araguaia (década de 1970), assim como a abertura de documentos sigilosos que comprovam o extermínio dos guerrilheiros por setores das Forças Armadas, representa ainda um vespeiro que muitos não querem trazer à tona. Os/as cientistas sociais são impedidos/as de ter acesso aos ‘documentos confidenciais’ produzidos pelas agências de repressão durante a ditadura militar em nosso país. Contudo, a história não pode ser negada às gerações que não vivenciaram os anos de silenciamento político e de mordaças compulsórias.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 42.55pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 42.55pt;"&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Nesta direção, uma das maneiras do conhecimento histórico se tornar atraente para crianças e jovens escolarizados/as é a tematização da história recente do Brasil e da América Latina, através de materiais didáticos que não privilegiem uma perspectiva historiográfica eurocêntrica e meramente conteudista. As questões do presente devem ser apontadas desde cedo para as crianças em processos de escolarização e, posteriormente, – com os cuidados de linguagem e categorias de análise empregadas – devidamente relacionadas com as dimensões históricas mais afastadas no tempo e no espaço. Os recortes temáticos são assim fundamentais para que um debate não se esgote em apenas uma aula ou uma atividade em grupo. O tema ‘ditadura militar’, por exemplo, é um assunto que demandaria muita pesquisa, busca por evidências históricas, análise de conjuntura, mapeamento das guerrilhas urbanas e rurais, aparelhamento do Estado a partir de agências de tortura, etc..&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 42.55pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 42.55pt;"&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Categorias ou conceitos vagos, além do pouco dinamismo didático nos bancos escolares são muito recorrentes nas escolas brasileiras. Ainda mais quando determinadas instituições de ensino estão mais preocupadas em ‘formar’ fazedores de provas do que, propriamente, sujeitos históricos intervenientes. As &lt;i style="mso-bidi-font-style: normal;"&gt;permanências históricas&lt;/i&gt; estão mais vivas do que nunca, através de milícias particulares que assassinam pequenos agricultores e lideranças rurais a mando de latifundiários; do patrimonialismo e do clientelismo nos setores de serviços públicos; e do analfabetismo pleno e funcional alarmantes. Negar o acesso às fontes históricas – matéria-prima dos/as pesquisadores/as – também é uma forma de silenciar as falas dos dissensos e a constituição de novos espaços de disputa. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 42.55pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="mso-element: footnote-list;"&gt;&lt;br clear="all" /&gt;  &lt;hr align="left" size="1" width="33%" /&gt;    &lt;div id="ftn1" style="mso-element: footnote;"&gt;  &lt;div class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a href="http://www.blogger.com/post-create.g?blogID=20959261#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="mso-special-character: footnote;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10.0pt; mso-ansi-language: PT-BR; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;span style="font-family: &amp;quot;Courier New&amp;quot;;"&gt;Historiador e doutorando em Educação (UFSC). E-mail: &lt;a href="mailto:clioinsone@gmail.com"&gt;clioinsone@gmail.com&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-7182386819810026037?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='related' href='http://boletimodiad.blogspot.com/' title='TEMATIZANDO A HISTÓRIA'/><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/7182386819810026037/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=7182386819810026037&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7182386819810026037'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/7182386819810026037'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/07/tematizando-historia.html' title='TEMATIZANDO A HISTÓRIA'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-8729492137022518478</id><published>2011-06-29T15:21:00.004-03:00</published><updated>2011-06-29T15:23:45.940-03:00</updated><title type='text'>SOBRE ESCOLAS E PRISÕES</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div align="right" class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 58.3pt 80.4pt; text-align: right; text-indent: 31.2pt;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 150%;"&gt;Jéferson Dantas&lt;a href="http://www.blogger.com/post-edit.g?blogID=20959261&amp;amp;postID=8729492137022518478#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 115%;"&gt;[1]&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 150%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 58.3pt 80.4pt; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 58.3pt 80.4pt; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 150%;"&gt;A configuração espaço-temporal em Florianópolis é assimétrica do ponto de vista social e econômico. O pacto urbano tem se esvaziado nestes últimos anos e a incapacidade de articulação das lideranças comunitárias, tem ocasionado um tipo de violência – por parte das políticas públicas – que ignora ‘o outro’, como se esse não fosse portador de discurso, apagando definitivamente o ‘litígio constitutivo da política’. Tal aposta no vazio político e o silenciamento das falas de dissenso são produtoras e reprodutoras da ‘violência legítima estatal’. Nesta direção, vão se cunhando todos os tipos de estereótipos possíveis em relação às comunidades empobrecidas e/ou periféricas naquilo que a antropóloga Janice E. Perlman denominou de ‘etnocentrismo da classe média’. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 283.15pt; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 150%;"&gt;A maneira como vai se constituindo o estereótipo destas comunidades, isto é, a ideia subjacente de que as comunidades dos morros, favelas ou bairros periféricos abrigam em seus espaços de convívio sujeitos violentos ou propensos à criminalidade, não possibilita compreender que a violência é um fenômeno histórico, portanto, influenciado por questões econômicas, sociais e decisões políticas ou governamentais. Para a antropóloga Alba Zaluar, as relações que envolvem os trabalhadores assalariados e os narcotraficantes, por exemplo, são muitas vezes tênues e necessitam ser bem problematizadas, principalmente no que concerne à representação da categoria ‘trabalho’ por parte da juventude.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 150%;"&gt;O conflito ‘trabalhador’ e ‘bandido’ parece estar alicerçado numa ‘ética do trabalho’, já que o/a trabalhador/a se vê superior aos narcotraficantes por conta de sua retidão moral. Os jovens traficantes, principalmente, parecem não se identificar mais com tal ética; não possuem nenhuma ideologia, ignoram a escola e se preocupam tão-somente com um poder fugaz, bárbaro e narcísico. Por outro lado, o policial treinado vigia, controla e reprime as classes definidas &lt;i style="mso-bidi-font-style: normal;"&gt;a priori &lt;/i&gt;como perigosas, reforçando o espelho negativo das comunidades empobrecidas em forma de mais violência, já que elas representam o inimigo que precisa ser combatido.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 150%;"&gt;No conjunto das forças sociais em litígio, a anomia é utilizada como pretexto favorito pelas políticas públicas ineptas, que ao adaptarem seus discursos a um controle repressivo e excessivo dos ‘desvalidos’, defendem de forma escamoteada a responsabilização penal para a juventude delinquente. No atual contexto em que o movimento docente catarinense luta por sua dignidade e melhores condições de existência, escolas e prisões parecem expressar com viva transparência como trajetórias e experiências humanas podem ser destruídas pelo abandono e ausência de projeto estatal. Escolas e prisões comportam-se como instituições autofágicas, deseducadoras, lugar permanente de conflito. E isto tudo não se dissocia do caráter burlesco com que as agências tecnoburocráticas governamentais têm agido diante destes enormes desafios em Santa Catarina.&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify; text-indent: 31.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 193.45pt; text-align: justify; text-indent: 31.2pt;"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12pt; line-height: 150%;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="mso-element: footnote-list;"&gt;&lt;br /&gt;&lt;hr align="left" size="1" width="33%" /&gt;&lt;div id="ftn1" style="mso-element: footnote;"&gt;&lt;div class="MsoFootnoteText" style="text-align: justify;"&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=20959261&amp;amp;postID=8729492137022518478#_ftnref1" name="_ftn1" style="mso-footnote-id: ftn1;" title=""&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 10pt; line-height: 115%;"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; Historiador e Doutorando em Educação (UFSC). Articulador e consultor pedagógico nas escolas associadas à comissão de educação do Fórum do Maciço do Morro da Cruz na cidade de Florianópolis/SC. E-mail: &lt;a href="mailto:clioinsone@gmail.com"&gt;clioinsone@gmail.com&lt;/a&gt;. &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;Jéferson Dantas&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20959261-8729492137022518478?l=clioinsone.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://clioinsone.blogspot.com/feeds/8729492137022518478/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=20959261&amp;postID=8729492137022518478&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8729492137022518478'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20959261/posts/default/8729492137022518478'/><link rel='alternate' type='text/html' href='http://clioinsone.blogspot.com/2011/06/sobre-escolas-e-prisoes.html' title='SOBRE ESCOLAS E PRISÕES'/><author><name>Jéferson Dantas</name><uri>http://www.blogger.com/profile/08585717706313273953</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/--AH5i2YOU8U/TpSSw9piFXI/AAAAAAAAAeY/rYGFxnPw9TU/s220/J%25C3%2589F_DANTAS_DESENHO.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-20959261.post-4678060732669009850</id><published>2011-06-13T13:04:00.004-03:00</published><updated>2011-06-21T01:47:10.504-03:00</updated><title type='text'>MILONGAS URBANAS, POR PABLO MIZRAJI</title><content type='html'>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="text-align: justify;"&gt;O  objetivo deste artigo é trazer à tona a  conceitualização do estilo  musical que é a milonga, saindo de uma  abordagem musicológica para uma  perspectiva sociológica do termo. Busco  nesse pré-estudo tentar  observar e analisar a importância de se  reconhecer ou não, a  contribuição da musicalidade rioplatense  (compreendidos Argentina e  Uruguai) para sua regionalidade, outrora em  casos não excepecionais,  abrir espaço para localidades onde este gênero  ainda não alcançou  registros.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Primeiramente deve-se  considerar o  aspecto da intervenção social da música nos contextos  sócioculturais de  uma determinada região. Ou seja, &lt;em&gt;música&lt;/em&gt;  enquanto conceito  etimológico, aparece na mitologia quando refere-se às  inspirações  artísticas proporcionados pelas musas gregas, numa relação  inter-social  do som com o ser humano, que neste sentido sociológico,  se encarrega de  potencializar determinados aspectos culturais de algum  grupo/etnia  social e fortalecer a inclusão coletiva do espaço social.  Segundo  Theodor Adorno, “entre todas as artes, a música foi sempre a  que possuiu  maior força de aglutinação social, por uma parte, devido ao  fato do  exercício da arte exigir, de um modo geral, mais pessoas  concordantes na  intenção e no sentimento, o que favorece a constituição  de comunidades  (…) “. O meio social também pode ser facilitador na  predisposição  musical ao determinar os pensamentos, as identidades e  principalmente as  ações humanas. Sendo a música um meio de expressão  que, por vezes,  reflete o que e como a sociedade se representa, gera  coletividades  culturais em torno dos temas e estilos diversos. Como um  identificador  social, ela extrapola os limites da simples teoria  musical para uma  abrangência complexa no estudo das sociedades.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Para  iniciar o objetivo deste artigo,  gostaria de apresentar o significado  comum-popular de milonga, concebida  primeiramente sob uma conceituação  consensual. A palavra &lt;em&gt;milonga&lt;/em&gt;  é de origem africana banto que  pode significar entre “confusão” e&amp;nbsp;  “desordem” a “queixa”, “lamento” ou  “demanda”, muito próximo ao  significado etimológico do &lt;em&gt;blues&lt;/em&gt;  estadunidense. Devido às  origens genealógicas serem desconhecidas, é  sabido que além da  significação linguística, teve influência dos  escravos bantos trazidos  do Congo, mesclados às tradições colonizadoras  européias. Curiosamente, o  termo já era conhecido pelos portugueses  quando realizavam suas rotas  comerciais e, especialmente o tráfico  negreiro. Os congoleses tinham por  costume, elaborar uma série de  improvisos poéticos narrativos que  continham uma espécie de “contenda”  ou, como no caso típico do folclore  nordentino, um “repente”. Essa  prática discursiva também foi  intencionada pela resistência à  escravidão. Fernão de Souza, português  governador de Angola (1624-1630)  ainda no tempo da famosa Rainha Ginga,  cita diversos exemplos das  práticas discursivas chamadas de &lt;em&gt;milongas&lt;/em&gt;.&amp;nbsp; Explica que “&lt;em&gt;mulonga&lt;/em&gt; (pl. &lt;em&gt;milonga&lt;/em&gt;), em kimbundu, é ‘palavra’ (boa ou má), ‘disputa’. No texto do governador, &lt;em&gt;milonga&lt;/em&gt;   aparece amiúde como um (quase) sinônimo de ‘recado’. Às vezes, porém,   este conceito remete para um uso mais específico da fala. É graças às   suas milongas, segundo Fernão de Sousa, que Njinga-Nzinga consegue que   populações inteiras fujam para o território controlado por ela:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;blockquote&gt; &lt;div style="padding-left: 60px; text-align: justify;"&gt;[Njinga-Nzinga]  foi  contemporizando comigo com recados que me mandava, e da volta  persuadiam  seus macunzes nista cidade e polos souas por onde passavam  nossos  escravos e gente de guerra preta, a que chamam &lt;em&gt;quimbares&lt;/em&gt;,  que  se fossem para ela, e que lhe daria terras em que lavrassem e  vivessem,  porque melhor lhes era serem senhores no seu natural que  cativos nossos;  e de maneira os obrigou com estes recados, a que eles  chamam &lt;em&gt;milongas&lt;/em&gt;, que começaram fugir senzalas [povoados] inteiras (Sousa 1985: 227).&lt;/div&gt;&lt;/blockquote&gt;&amp;nbsp; &lt;br /&gt;&lt;blockquote&gt;No relatório de Fernão de Sousa, &lt;em&gt;milonga&lt;/em&gt;  parece designar um  discurso de persuasão baseado em promessas ou  ameaças (…) Os africanos  não eram os únicos que sabiam empregá-lo. Como  se vê no trecho  reproduzido a seguir, os portugueses, também, o  praticavam com sucesso:&lt;br /&gt;‘A milonga é, portanto, um discurso pelo meio do qual se procura   persuadir o interlocutor de fazer ou de dar o que, em princípio, ele não   está disposto a fazer ou a dar. No ‘jornal’ de Fernão de Sousa, a   prática da milonga se combina amiúde com recursos gestuais ou teatrais.   Tanto os africanos quanto os portugueses sabiam utilizar a gestualidade   para fins de persuasão.”&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Em  meados dos anos 3o na região do Prata –  compreendidas as capitais  Buenos Aires e Montevidéu -, surge uma nova  forma variante da milonga  clássica, conhecida como &lt;em&gt;milonga ciudadana&lt;/em&gt;,  referindo-se à  contextualização típica no fluxo migratório dos  trabalhadores do campo  para a cidade, nos períodos da industrialização  tardia. Em 1860, a  Argentina começa a receber imigrantes vindos do  continente europeu,  sendo que nove entre dez imigrantes, ocupam a Pampa,  atraídos por  melhores condições de vida. Na entrada do século XX, o  país vive o  cenário de uma sociedade de camponeses que inicia um  processo de  migração para a capital federal, tendo seu auge na década de  30, com  uma margem de 70% da população.&amp;nbsp; É nesta ambiência, que nasce a  &lt;em&gt;milonga urbana&lt;/em&gt;, originária daquela anterior, mas agora reintitulada &lt;em&gt;campeira&lt;/em&gt;.   Estas transformações sociais também acontecem simultaneamente no   Uruguai, onde na mesma década, se introduz uma industrialização   acelerada alterando radicalmente a estrutura no campo a organização   social das cidades, talvez neste país especificamente, uma mudança mais   radical do que na Argentina.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Ao  longo do tempo foram-se misturando às  milongas, urbanas e campeiras,  diversos ritmos tradicionais da região,  como a chamarrita, o choro, o  candombe, zamba, chacarera e a habanera,  também descendentes diretos  dos negros e dos europeus, gerando diversas  ramificações. Segundo  Alfredo Zitarrosa, compositor uruguaio, “la  milonga es el género  folclórico vivo por excelencia en mi tierra (…) se  trata de un rítmo  que recibe influencias afro y por cierto, proviene  también como una  buena parte del folclore nuestro, del folclore del sur  de España, el  folclore andaluz. Pero comprende una vasta zona del cono  sur, la pampa  argentina y las praderas onduladas de la banda oriental  (Uruguay).” &lt;em&gt;Alfredo Zitarrosa, entrevista radial, Madrid 1976&lt;/em&gt;.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Enquanto a milonga campeira atribuía-se aos costumes e tradições do homem do campo e suas relações com o meio rural, trabalho, &lt;em&gt;doma&lt;/em&gt;,   virtudes e anseios, a milonga urbana caracterizava-se pelo aspecto   sentimental ou de “recuerdo” do campo, mas muitas vezes, de forma   crítica, denunciando politicamente as mazelas sociais, ligando assim,   ambas num só quadro de matizes comuns que invocam a angústia, a dor, a   tristeza, a nostalgia e a vont
